Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.
This winter is extraordinary; Moomintroll decides to stay awake to explore the winter instead of hibernating as usually. And winters are certainly totally different than he had imagined. Strangest creatures wander amidst the snowdrifts; midwinter darkness surrounds the Moominvalley, and on top of that, an eccentric guest is soon to appear. This guest requires many measures, and is called Christmas, Hemulen tells to a surprised Moomintroll.
Follows a bear cub and his papa bear as they embark on an adventure to find the Golden Land which is believed to harbor an endless source of honey, so they can prepare a birthday cake for the little one.
Joko is a young man who works on the cistern, he is the only breadwinner in a family. On his second anniversary of employment, Joko and his colleagues meet with foreign delegates who force boy and the rest to… carry on their back. At first, Joko is against and rebels against this humiliating activity. However, under the pressure and desire to earn good money, he subsides.
A story of a man with a very dense eyes who sees all the surrounding reality only after seven years. The consequence of the eye defect translates into the mental immaturity of the man, lack of understanding of the present and belated reflections on long-gone facts. The man is never mature enough for his age and constantly lingers on the past.
Teo’s dream of dancing with Mia in the school competition seems hopeless…until he meets Ro, a funny bird-like creature with wondrous abilities, lost in the city. Ro’s friendship will help the wayward boy find his feet, but it will take more than dancing for Teo and Mia to help Ro find his way home before a looming disaster.
Impossible Figures and other stories I is the first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.
After running away from her depressing village in eastern Europe, a teenage girl meets a new friend under a bridge.
One day, the decision is made: Amel, a 12-year-old orphan, will leave. This is by no means a matter of choice: her country is at war. Unfortunately, nothing goes as planned. At the border, Amel loses the family who are accompanying her and finds herself alone. Along her way, she meets Bacem, an army deserter and oud (oriental lute) player. Together, the child and the former soldier navigate through the pain of exile and learn to rebuild themselves.
The film portrays a story of a woman, who keeps on stumbling and falling in her daily rush.
The story is afterimage of the genocide that happened in Rwanda almost 30 years ago. We’ve assembled an incredible team of individuals, each with an immense sensitivity to the subject matter, who are helping us bring this story to life both in its literary and visual dimension. This film is an exploration of the search for hope and humanistic values in the face of unimaginable adversity.
When 12-year-old Lauri tries too hard to get his older siblings’ attention he falls badly and loses his ability to walk. Now Lauri is stuck at home, lonelier than he ever was. Just then a helpful furry creature from another dimension appears and takes him on a fantasy adventure. In the other dimension Lauri trades his shadow for being able to walk again, but the shadow becomes a goofy, all-eating monster who follows Lauri back to his world. To beat the monster Lauri needs to team up with his siblings and give up his ability to walk. However, Lauri is now determined to learn to walk again and he has his siblings beside him - and that’s what really matters.
A man and a woman meet in a waiting room and immediately get close to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. Bodies are formed like clay, embracing each other up to the limits of impossibility. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the triptych Impossible Figures and other stories.
This enchanting film, is about courageous and curious kitten, Bea, who dreams of becoming a great witch but can’t cast a single spell. One day, Bea’s boredom and curiosity drive her to run away from her overprotective father, leading her to enroll in a local magic school in the city. Inadvertently, she brings a mortal boy named Calvin to the island, where non-magical beings are strictly prohibited. Bea and Calvin embark on a remarkable journey, navigating a world where the entire island seems to be against them. As they search for a way to return Calvin to his own world, Bea uncovers dark secrets about the island, her past, and her family.
A woman is trying to have a dialogue with a man on a pedestal. She wants to tell him something using the sign language, while he remains silent, cast in stone. Only when the statue is hit by a rock and it begins to fall apart, is there a chance for the two characters to find understanding.
A beautiful summer day in Moomin Valley. Suddenly, a wasp stings Moomintroll, who falls ill and has to stay in bed. To cheer him up, Moominpappa recounts his youthful adventures; his misunderstood childhood, escape from an orphanage and his historic meeting with the inventor Hodgkins.
Picture a northeastern Polish town, surrounded by forests and lakes; with only a few houses, a highway, and a small baroque church. That’s where an 11-year-old boy spends his last month of summer. Fascinated by stories about the Wild West and haunted by the religious imagery in church, he craves adventure. As he explores the surroundings, equipped with a cassette recorder and a bow, his innocent adventure suddenly stops being child’s play.
While she is practicing yoga, he is looking at his phone. When he sits behind a desk, she goes to the kitchen to prepare a shake. Suddenly, the protagonists and their rituals begin to revolve around each other as if they were celestial bodies and their flat becomes the centre of the universe.
Tatiana is forty-two years old and she is a stylist for one of Kiev’s women’s magazines. She is ironic, self-confident, Tatiana lives in a large house on the suburbs of the Ukrainian capital and she enjoys the freedom that her recent divorce gave her. Her quite successful life is interrupted by the outbreak of the war. Friends and acquaintances come to her house, including her ex-husband and colleague who has a crush on her. Together, they watch how Russia destroys their city. After a few days, almost everyone tries to get out of Kiev and persuades Tatiana to follow. But she can’t make up her mind.
