Cinderella

Cinderella 1899

6.20

A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.

1899

The Kiss in the Tunnel

The Kiss in the Tunnel 1899

5.80

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.

1899

The Devil in a Convent

The Devil in a Convent 1899

6.23

A priest is officiating at a convent, when suddenly he is transformed into the devil, who frightens away the nuns and turns the place into pandemonium.

1899

The Conjurer

The Conjurer 1899

6.30

A film from Méliès has him playing a magician who does a few tricks including making a woman disappear.

1899

The Pillar of Fire

The Pillar of Fire 1899

5.84

A devil wearing bat-like wings and brandishing a trident dances around a giant pot, conjuring forth flame from his trident to lit a fire beneath the pot. After the devil works the fire with bellows, an angelic woman emerges from the pot. The devil and the pot vanish as the woman performs a dance, waving about her diaphanous sleeves until she conjures forth another fire, then she rises amongst the smoke into the air.

1899

Dreyfus Meets His Wife at Rennes

Dreyfus Meets His Wife at Rennes 1899

5.10

Showing room at the military prison at Rennes in which Dreyfus the accused is confined. He is visited by his counsel, Maître Labori and Demange, with whom he is seen in animated conversation. A visit from his wife is announced, who enters. The meeting of the husband and wife is most pathetic and emotional.

1899

The Little Girl and Her Cat

The Little Girl and Her Cat 1899

5.70

A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table.

1899

The Dreyfus Affair

The Dreyfus Affair 1899

5.73

The first movie ever censored for political reasons. The title refers to the then contemporaneous Dreyfus affair in which a Jewish military officer was falsely convicted of treason, and it was alleged that he was framed due to anti-semitism.

1899

The Mysterious Knight

The Mysterious Knight 1899

6.30

A knight performs several magic tricks with a disembodied head materialized from a chalkboard drawing.

1899

King John

King John 1899

4.85

Based on Shakespeare's play, Act V, Scene vii: King John is in torment, and his supporters fear that his end is near. As he writhes in agony, he is attended by Prince Henry, the Earl of Pembroke, and Robert Bigot. Prince Henry tries repeatedly to comfort his delirious father, but to no avail - John's pain is too great.

1899

The Attempt Against the Life of Maitre Labori

The Attempt Against the Life of Maitre Labori 1899

5.50

Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed by another man to whom Colonel Picquart calls Labori's attention. They, however, consider his proximity of no importance, and continue to speak together. As soon as their backs are turned, the man draws a revolver and fires twice at Maître Labori, who is seen to fall to the ground. The culprit makes his escape, pursued by Colonel Picquart and M. Gast.

1899

Lord Roberts Leaving For South Africa

Lord Roberts Leaving For South Africa 1899

5.00

An actuality and reportage film. This film captures Lord Frederick Roberts (British Army rank Field Marshal) departing England for South Africa on 23rd December 1899, where he commanded British forces for a year in the Second Boer War. The ship in this film is the RMS Dunottar Castle. Going with Roberts is his chief of staff, Lord Kitchener, whose future role as Secretary Of State for War during World War One awaits him. This film was produced and distributed by the Warwick Trading Company, a London based company at its peak at this time, involved in the majority of British films.The Warwick Trading Company specialised in travel, reportage and actuality films and had substantial catalogues. Charles Urban had taken over as managing director in 1897 and was in that role when this film was produced. According to the BFI programme entry, the company had a large amount of resources already in South Africa. This meant they could capture historic moments as part of its Boer War coverage.

1899

New Brooklyn to New York via Brooklyn Bridge, No. 2

New Brooklyn to New York via Brooklyn Bridge, No. 2 1899

5.17

“This is a new negative showing the entire trip from Brooklyn to New York, in which the immense towers stand out clear and distinct against the sky. Positively the best picture of the Brooklyn Bridge yet secured.” (Edison film catalog)

1899

Summoning the Spirits

Summoning the Spirits 1899

5.21

A bearded man hangs up a wreath and, like any good magician, waves his hands inside of it and under it to show us it's only a wreath…

1899

Dreyfus Put in Irons

Dreyfus Put in Irons 1899

5.10

Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two guards stealthily approach the cot upon which Dreyfus is sleeping. They awake him and read to him the order from the French minister–M. Lebon–to put him into irons, which they proceed at once to accomplish. Dreyfus vigorously protests against this treatment, which protests, however, fall on deaf ears. The chief sergeant and guards before leaving the hut, inspect the four corners of same by means of a lantern.

1899

Défilé de voitures de bébés à la pouponnière de Paris

Défilé de voitures de bébés à la pouponnière de Paris 1899

5.60

A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close left to the camera. A few toddlers also follow in the same orderly line, along their nurses.

1899

The Fight of Reporters

The Fight of Reporters 1899

5.40

During an interval in the proceedings of the court martial, the journalists enter into an animated discussion, resulting in a dispute between Arthur Meyer of the 'Gaulois', and Mme. Severine of the 'Fronde', resulting in a fight between Dreyfusards and Anti-Dreyfusards, in which canes and chairs are brought down upon the heads of many. The room is finally cleared by the gendarmes.

1899