First Winter is a 1982 Canadian short film directed by John N. Smith. With the father away, an Irish immigrant family struggle to survive their first winter in the Canadian wild. The film was nominated for an Oscar for Best Live Action Short Film.
Two lawyers and labor rights' activists, Daniel Kovalik of the United Steel Workers of America and Terry Collingsworth of the International Rights Advocates, and their partner Ray Rogers of Corporate Campaign firmly believe that US multinational corporations should be held accountable for the shabby practices of their business associates throughout the world. To lead their battle, they resort to a law dating back to the origin of the American Constitution - The Alien Tort Claims Act - which allows foreigners to file suit in the U.S. against Americans who violate international laws. The film tells the story of their fight against one of America's stellar icons: the Coca-Cola company.
Madame Tutli-Putli boards the Night Train, weighed down with all her earthly possessions and the ghosts of her past. She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure.
A couple has a fight over a game of Scrabble unaware that a full-scale nuclear war has started.
In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.
Nigeria's film industry, Nollywood, is the third-largest in the world--an unstoppable economic and cultural force that has taken the continent by storm and is now bursting beyond the borders of Africa. "Nollywood Babylon" is a feature documentary detailing the industry's phenomenal success. Propelled by a booming 1970s soundtrack of African underground music, the movie presents an electric vision of a modern African metropolis and a revealing look at the powerhouse that is Nigerian cinema.
A hapless husband neglects to clear the icy walk, which leads to the mailman slipping and breaking his neck. A comedy of errors results from his attempts to hide the body.
Documentary about the lifelong project of Troy Hurtubise, a man who has been obsessed with researching the Canadian grizzly bear up close, ever since surviving an early encounter with such a bear. The film documents Hurtubise's diligent work to improve his homemade "grizzly-proof" suit of armour, his efforts to test its resilience, and his forays into the Rockies to track down the grizzlies he dreams of meeting. The film manages to capture the humor of the project as well as its sincerity.
A young surveyer, new to Ontario, encounters the blackflies. Over and over again, he encounters those blackflies.
Join outdoorsman Bill Mason in this short documentary as he and his family go canoe camping in the wilderness. Gain an appreciation for the art of canoeing while watching a small group experience the sheer joy and beauty of Nature. Along the way, the Masons experience countless adventures and some breathtaking scenery, including Indian rock carvings at Lake Superior.
Devil at Your Heels, traces the trials of stuntman Ken Carter who attempts a death-defying aerial jump in a car. Not content with a normal jump, Ken Carter attempts a jump from Canada to the USA. This feature-length documentary shines a light on the intense preparation that led to Carter’s first attempt to jump a car across a mile-wide stretch of the St. Lawrence River – a 5-year period during which the dare-devil raised a million dollars, erected a 10-storey take-off ramp and built a rocket-powered car. Winner of the Canadian Screen Award for Best Feature Length Documentary at the 4th Genie Awards in 1983.
This animated short follows an unwanted baby who is passed from house to house. The film is the Canadian contribution to an hour-long feature film celebrating UNESCO's Year of the Child (1979). It illustrates one of the ten principles of the Declaration of Children's Rights: every child is entitled to a name and a nationality. The film took home an Oscar® for Best Animated Short Film.
Centres on Canadian animator Ryan Larkin, who in later years lived on skid row in Montreal following a history of drug and alcohol abuse.
A boy's carved boat travels through the Canadian wilderness until it reaches the ocean.
For 11 years, the FantAsia Film Festival in Montreal has been the premiere showcase in North America of fantasy, horror and action films from around the world. Every July, crowds line up around the block before each screening; the festival itself lasts approximately 3 weeks. In the Belly of the Beast chronicles the intense struggles that five filmmakers in attendance went through to complete their films. Crew rebellions, corporate embezzlers, and bankrupt studios are just a few of the memories conjured up during candid interviews, while the camera captures the latest challenge: the public acceptance - or rejection - of their films. Included in Dark Sky Films's Manson Family DVD and Blu-ray releases.
Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business.
Fifteen years after the events of The Boys of St. Vincent took place, the various boys involved are brought in to testify against the brothers, now finally standing trial, who assaulted them when they were children.
Roger and Doris are a childless couple who get more than they bargained for when a strange child appears at their door one day.
In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.
Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.
