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The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.

In the heart of the Arctic, the Yamal peninsula is the world’s largest gas exploitation zone, a symbol of Russia’s energy hyperpower, which caused the appetite of oil corporations. But the Yamal peninsula is also the ancestral home of the Nenets, who have been pasturing here with their droves for over 200 generations. Every year the nomads undertake a journey of 1500 km. But for how much longer can they survive? Today in Yamal, pastures have given way to gas fields. Growing towns, a railway, an airport, the deep scars on the landscape caused by extraction of gas and oil, and the new nuclear-powered icebreakers, which will create busy shipping lanes in the Arctic, are all changing the local ecosystem. With the industry dramatically modifying the landscape, accelerating the effects of global warming, the Nenets way of life is under threat. The documentary gives a unique insight into a vanishing way of life, enhanced by stunning aerial footage, and rare access to an extraordinary people.

On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.

An immersion into the intimacy of Mikhail Gorbachev, the last leader of the USSR. The architect of perestroika and glasnost, who was praised in the West but reviled in his own country, still combative despite his advanced age, loneliness and illness, offers his personal and political testament.

The Zharkov family-father, mother and two young sons-belong to the Dolgan community, one of the last indigenous peoples pursuing their traditional nomadic life in the extreme north of Siberia. The children used to be sent to boarding school, where they became estranged from their family and culture, but nowadays they can get homeschooling from teachers assigned to them by the Russian authorities. Seven-year-old Zakhar and his older brother Prokopy are the protagonists in this calm, observational film. Zakhar's first year of schooling is with Nelly, a young but serious teacher. She tells him about President Putin and the importance of mathematics, and he learns classical poems by heart.

The film Broken Ties, by independent Russian filmmaker Andrei Loshak, is an unflinching portrayal of families divided by war. It features seven different pairings, whose members speak periodically with Loshak, one-to-one, to explain their points of view. Their conversations extend over the war's first three months, during which time their opinions evidence no change. The film makes no attempt at dialogue -- on the contrary, it is a testimony to the absence of dialogue amidst an unfolding war, and an unsentimental diagnosis of the sickness of a society in which official propaganda proves stronger than even the most intimate family ties.

This film about the Baltic nation of Lithuania from 1989 to 1991, when it broke away from the Soviet Union. This period of peaceful protests involving lots of singing came to be known as the "singing revolution."

For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognise and celebrate the fragile beauty of life. The film's working title was "Expedition 49".

The presidential campaign in Belarus in 2020 did not bode well for surprises. The permanent (since 1994) head of state Alexander Lukashenko went to his sixth term. During this time, an authoritarian political regime was established in the country. None of the real applicants were registered as presidential candidates: some were arrested, others left the country. As a result, the only competitor of the incumbent president was the housewife, the wife of one of the political prisoners, Svetlana Tikhanovskaya.

Documentary about the life of Sergei Parajanov, a prominent Soviet-era filmmaker who was active in Ukraine, Georgia and Armenia and was persecuted by the communist government for his views on the pretext of his homosexuality, which was a crime in the USSR. The centerpiece of this documentary is Shadows of Forgotten Ancestors, a 1965 movie directed by Parajanov, that awakened the Ukrainian national consciousness which had been suppressed by decades of Soviet rule.

10 years after the release of his epic film “Maidan”, Sergei Loznitsa resumes his Ukrainian chronicles by documenting the country’s struggle against the Russian invasion. Shot over a 2-year period, the film portrays the life of the civilian population all over Ukraine. THE INVASION presents a unique and ultimate statement of Ukrainian resilience in the face of barbaric invasion. In the second part of his Ukrainian diptych, Loznitsa paints a monumental canvas of a nation determined to defend its right to exist.

In the winter of 2021 rallies were held in Russia in support of Alexei Navalny. People protested against the arrest of the politician. The number of those detained at the rallies exceeded 17,000 people, many of whom received administrative punishment in the form of arrest. There were not enough places for detention in Moscow, and therefore the detainees were sent to the Center for the temporary detention of foreign citizens in Sakharovo near Moscow. As a result, an unusual group of people gathered in the special detention center - almost a thousand young men and women who were close in spirit. This film is their memories of their days behind bars.

A girl from St. Petersburg walks around protest-ridden Moscow, talking to riot police and believing that sooner or later they will go over to the side of the demonstrators. An 18-year-old student of a St. Petersburg college introduces herself as Alice and tells about herself that from the age of four she lived in an orphanage and in foster families. In Moscow, Alisa, for whom this is the first rally in her life, walks along the police cordons and looks under the OMON helmet. "Under the mask you can't see, are you even human?"

Two young intellectuals, Katya and Vassya, come to a small industrial town to work as teachers. They want to change the system of scholastic education and the social situation in difficult regions. The school is a closed conservative world, where obedience and discipline are of the highest value. Young teachers discover that nationalism, sexism and homophobia are typical for their new environment. Children see the school as a prison and are completely indifferent to any new ideas. During one school year we observe attempts of our protagonists to bring new practices into the system. Young teachers try to speak with children about feminism, human rights and Russian politics, but the system pushes them out, and a comedy turns into a drama.

Oleg Kirillov - coach of the intuitive football team. It's hard to believe, but his wards are members of the national football team of the Republic of Belarus among the blind. Each of them appeared on the field for various reasons, but today they face a common task - to maintain their champion status in the national competition. Kirillov himself grew up in a disabled family and knows well how to communicate with his wards. He is not only a mentor, but also a friend of each of the athletes. An important element of the film is work with sound, it completely restored the sound environment that is natural for players, in which they focus on the noise made by the ball and the clear instructions of the coach.

The musical talent of the brothers manifested itself in Russia in an unusual way. Fedor serves in the army and plays in a military band, and Alexander also became a "musician" and serves in Prigozhin's PMC. And although the father of the brothers insists on the bombing of London, real rock music separates the brothers in different directions.

On August 9, presidential elections were held in Belarus. The results, according to which Alexander Lukashenko won, were not recognized by 14 countries. Protests and mass detentions of protesters have been taking place in the country for more than two months. Documentary director Maxim Shved, in order to capture the mood of people and their political views, installed cameras in the cars of two taxi drivers, Pavel and Anna. They talk to passengers, and inevitably their dialogues come down to politics.

The sequel to the series, filmed on the eve of the next "elections", tells how the lives of activists who dreamed together with Navalny of a beautiful Russia of the future have dramatically changed in 6 years. Filming was almost completed when it became known about the death of the politician. The characters of the film are wondering: How can you live without dreams and hope?

DJ Tyomati's stepfather attends a shooting range, anticipating a swift victory for Russia in the "special military operation," but he is not eager to participate in it yet. The young man has different intentions – evading mobilization, he boards a plane for the first time in his life and ends up in Armenia, where everything seems new and strange. Despite emigration evolving into a survival journey for him, Tyomati remains resilient, while the video calls with his stepfather can turn into farewell conversations if he chooses to volunteer for the war.

"Mariupol. Reconstruction" is a film about a lost city. Director Svetlana Lischinskaya shares her memories and tells the story of her relationship with the city. She meets with refugees from Mariupol to remember with them what the city was like before it was destroyed by Russian troops