Polish Film Institute

It's a story of a young woman from Warsaw - Iwona who has two children and works in a supermarket. He lives with his unemployed husband in a block of flats. They are always short of money - that causes many quarrels and destroys their relationship . One day Iwona receives a great offer from her old friend - Wojtek. He wants her to move to London and start a brand new life.

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.

In a local sports center, a man with a great need to talk but little to say recounts a recent dream to a nearby colleague, with deeply confusing and unexpected results.

Colombian girl, who studies law in France, arrives to Sarajevo in order to write a study about the War Crimes Tribunal. Unexpectedly she finds herself in the center of the intimate tragedy of her new friend, a native woman.

A uniquely constructed portrait of the Polish Colonel Ryszard Kuklinski, who provided the CIA with more than 40,000 strategic documents from the Warsaw Pact during the Cold War. Was he a traitor, or the savior of Poland? The Polish documentary filmmaker Dariusz Jablonski begins his story of the colonel in 2004, when he was supposed to interview him for the very first time. It turns out that Kuklinski has just died, and at the request of the colonel's wheelchair-bound wife, Jablonski agrees to take care of his ashes. He talks with a considerable number of closely involved ex-servicemen -- from the U.S. head of espionage General William E. Odom to the Warsaw Pact Commander-in-Chief Viktor Kulikov, the Polish General Wojciech Jaruzelski, and former Polish President Lech Walesa.

Young and ambitious Kamila lives in a world where overweight defines the ideal of beauty and determines social status. The more you weigh, the more you are respected. When Kamila’s thinness is exposed, she is fired from work and dumped by her boyfriend. She abandons the disguise that made her look fat, decides to face up to reality and gain weight.

A young woman becomes close with a mechanic who feels responsible for the death of her brother.

Marcel Lozinski was born in May 1940 in Paris, and he spent part of his childhood in various children’s homes. His Jewish communist parents were members of the resistance. After the war he went with his mother to Poland, where he became a celebrated documentary maker of some 20 films. Prompted by his son Pawel, also a renowned documentarian, the pair embark on a road trip from Warsaw to Paris. Father and son point the camera at each other and themselves and take stock of one another. In the end, the two men each made their own film about this journey.

The animated short is a humorous fantasy, for which the starting point is a routine visit by a certain patient to the dentist.

The world as we know it is dying before our very eyes. At a secret military centre somewhere on the Polish seacoast, scientists and the military are conducting research on a technology to transform repeat offenders with life sentences into animals. A young employee of the centre tries to free one of the female prisoners marked for the conversion.

During part verité, part exposé road trip, director Pawel Gula proves there is no honor in killing. The film juxtaposes horrific news footage with insights from the families of victims whose lives have been irreparably altered and the killers who are still debating the consequences of their actions. Broader commentary is given by officials and activists fighting this horrific tradition.

The film protagonist operates on the border of two worlds. During the day, he works at a well-known shop selling home furnishings, while after hours he is hired by a “cleaning company” to clean homes after the deaths of their residents.The title “A Story of Short Duration” is a reference to the diagnosis of contemporary capitalism provided by Kacper Pobłocki in his book. In the film, it acquires an additional meaning by contrasting the image of a life’s end with the beginning of one’s path related to the moving into a new flat.

A young woman, Anna, is getting ready to make her own movie. After a while, she discovers that she is just a heroine in the movie and nothing really depends on her. Rebellious against the author, she writes her own film, recreating the characters from scratch - but neither do her characters want to be heroes in someone else's film. The story of the heroine is intertwined with the story of a critic who "chased" writers all his life to finally find out that his efforts were pointless.

Maciek is no longer a boy, but has not yet become a man. He wants to satisfy the ambitions of his father, and - as everyone in the family - be a butcher. But he is too sensitive to make an animal suffer. The boy directs all his warm feelings towards an old, neglected orchard - the only memory of his mother - and discovers his supernatural abilities.

Basia has already settled down in her life. She is a housewife and has a loving family. It seems as though she does not miss anything to be happy. Until a moment when an opera diva moves into an apartment upstairs. Basia is enchanted and seduced with her voice. A peculiar relationship is born between them. It develops into a feeling which is not particularly comfortable for either of the two women.

Kikimora is a malicious domestic spirit that becomes attached to a specific home. The heroine has to face him.

Doina, a 12-year-old girl, has her first period on the day her grandma has a stroke. Since then, their roles are inverted and Doina has to learn how to deal with the challenges of adulthood.