Atlantiques 2009
Short lo-fi film set in Senegal. Mostly focussing on a group of Senegalese youths, discussing their hopes and fears concerning the crossing of the atlantic to get to Europe. Will life be easier there or not?
Short lo-fi film set in Senegal. Mostly focussing on a group of Senegalese youths, discussing their hopes and fears concerning the crossing of the atlantic to get to Europe. Will life be easier there or not?
This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.
In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.
Island of La Réunion, in the beginning of the 20th century. Five teenagers commit a savage crime. As punishment, a Dutch captain takes them to a supernatural island with luxuriant vegetation and bewitching powers.
Stranded along a sublime river fjord in northern Portugal, an ornithologist is subjected to a series of brutal and erotic Stations-of-the-Cross-style tests.
André Demester secretly and painfully loves Barbe, his childhood friend, accepting from her the little that she gives him. He leaves home to be a soldier in a war in a far off land. Barbarity, camaraderie and fear turn him into a warrior. As the seasons go by, Barbe, alone and wasting away, waits for the soldiers to return. Will Demester’s boundless love for Barbe save him?
Wang Xilin, 86, is one of China's most important modern classical composers. During the Cultural Revolution he was the target of severe persecution, enduring beatings, imprisonment and torture. With excerpts from his Symphonies, he revisits for this film some of the horrifying events that still live on in his memory as testimony to an era that saw the dehumanization of the entire Chinese nation.
The world is alive, but maybe without mirrors and images, none of it would exist. The blind create images in a different way – with sounds, textures and experiences. When you enter the rabbit hole, imagination plays the main part.
Moon travels through a mysterious unexplained world free of adults.
With two actors and no sets, master filmmaker Claire Denis traces the arc of a strained relationship, with a focus on race and language. In this fraught arena, words omitted can be as potentially devastating as words used, and what is not seen can have greater political consequences than what is.
""I collect. I document. I write down my memories. I’m afraid they’ll disappear." This is how Victoria Verseau introduces her intimate documentary diary, in which she returns to Thailand and to the year 2012, when she underwent her transition. She had long awaited this moment, but then came feelings of uncertainty, amplified by the death of a close friend. The conceptual artist adopts an almost archaeological approach to the past and lays bare the process of writing a personal story that is intrinsically linked to the creation of her own identity. In this deeply felt debut she reveals the joyful aspects and also the dark recesses of transition and, bringing other testimonies into play as well, she critically examines what defines women as women."
Memphis, Tennessee. Rapper Lachat (Chastity Daniels) takes us on a journey through her own stories, guiding us through a city full of ghosts and dreams. Memphis is the city where Martin Luther King was assassinated in 1968 at the Lorraine Motel, and it was never the same after that. We see music queens and ghosts from a time that cannot be named. After the death of her best friend, the rap icon Gangsta Boo, in 2023, Lachat gives us an intimate account of where it all began for her.
A young woman wandering around meets a young man going to a casting call for a pornographic film.
Invisible People is a multi-layered depiction of the unique Japanese contemporary dance Butoh that flows between revolt, eroticism, trance, prayer, ancestral experience, and physical anonymity. The film gradually drifts away from its core issue and becomes a general portrayal of life itself, with all its unforeseen strokes of fate and strange micro-connections.
In musical terminology, the term " study " designates pieces to approach a specific problem : study for arpeggios, for the left-handed etc. The question here is how to merge dancing footage with elements of fiction. What is the right tone, the golden proportion to tell/dance the stories without resorting to techniques of a musical or a ballet ? New ways of telling a story: this is, without a doubt, a critical challenge for dance today. Twenty-one micro fictions by four Cie Michèle Anne De Mey dancers in witch the educational aspect of experimentation soon gives way to the pleasur of joyful poetics: an original blend of tender insolence and srtict elegance.
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
A therapist at a Berlin university navigates delicate emotional terrain as she provides solace to a grieving student grappling with the suicide of a trans woman on campus.
Danced role-play for men, without words and without music. Here, the choreography says everything about male behaviour and mutual relationships. In e.g. dressing room and kitchen, seven men move between shame, modesty and the lust for power.
The film On a Warm Day in July (2015) was shot at the Wolfers Hotel in Brussels, with American soprano singer Claron McFadden. The elements that constitute the main motifs of this work are breath, space and the emptiness of the architecture; the performer freely improvises a sung piece inspired by a 17th century chant.
Wrapped up warm in gorgeous medieval-like capes, two young women are walking. Setting off on their pilgrimage for a very humble destination, they travel along narrow country roads, and converse while listening to each other. The first one, Mili Pecherer, the director, carries on her back a both grotesque and enigmatic burden: a huge hemorrhoid-shaped bundle. As far as the second one is concerned, she is expecting a child. Understandably, here a serious and a comical approach are combined for this wandering on the foothills of the Pyrenees, open to carnival and irreverent tones under the auspices of a medieval song. As the picaresque tradition has it, this trip will give rise to meetings: with a farmer and father hosting them, with the inventor of a machine designed to find lost cats. And also a donkey, the transient travelling companion of this fanciful voyage.