Svenska Biografteatern

Terje Vigen, a sailor, suffers the loss of his family through the inflexibility of another man. Years later, when his enemy's family finds itself dependent on his benevolence, Terje must decide whether to avenge himself.

A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.

Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.

After Ingeborg Holm's husband becomes sick and dies, the family's small grocery store fails, Ingeborg becomes bankrupt, and she is forced to move to the workhouse. Her three children go to foster homes. Ingeborg simply must see them again.

The son of a wealthy farmer loves a simple maid, for which he's booted out of the house by his father.

Part one of an ambitious screen adaptation of Selma Lagerlöf's book Jerusalem.

A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.

A gardener's son has fallen in love with the daughter of one of the workers at the nursery, and the two are married. The gardener then kicks his progeny off the property and begins to act despicably toward his son's wife.

On a farm in up-country Sweden, an enigmatic stranger comes to a conservative peasant community and seduces a farmer's wife.

The story is that of a conniving countess coming between a gay sculptor, Claude Zoret, and his bisexual model and lover, Mikaël, ultimately leading to Zoret's death in a raging storm at the base of a statue of Mikaël as the mythological Icarus. The film is missing 19 minutes of run time.

Two riders on their way to Warsaw stop at a monastery for the night and ask an old monk there to tell them the story of its founding.

The mayor's son Mauritz Fristedt, has become deeply in love with the baker's daughter Dunungen. The mayor applauds the engagement because Mauritz will to try to foist a pack of worthless shares from his uncle to his father-in-law.

Two smugglers meet two customs officers at sea, and happen to kill them. The story continues fifteen years later when a son of one of the officers and a smuggler's daughter fall in love with each other.

Mauritz Stiller directed adaptation of Hugo von Hofmannsthal's Das fremde Mädchen.

Gunnar Hede is raised by a strict mother, who wants him to become respectable to match his family’s wealth. He is more interested in his grandfather, who started as an itinerant violin player, but got rich by leading a herd of wild reindeer south to market. He falls for a violinist working with a married couple of traveling performers and renounces his fortune to go with them. He then tries to earn a fortune by driving reindeer to market, but it doesn’t work out and he goes insane. He is finally restored to sanity by the violinist when she returns with the performers.

An important man's death brings forth a secret, revealing a daughter from another woman, previously unknown to his wife - and bringing about the meeting of the two sisters.

An old poor man steals some wood and gets sentenced to 1 1/2 years of hard labor.

Maria lives with her alcoholic father in a cabin the forest. One day she is seduced by the local land owner after he gives her a ring. Shortly afterwards he decides to leave the area and travel to Stockholm.

Ruth has had a happy childhood until her family falls on hard time. Not wishing to be a burden she decides to get a job but she's having a hard time getting one until she gets the idea to dress up as a boy and get a job as a milkman.

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.