Dean Film

7 segments about life in 1990s Italy: two MPs from the opposite sides of the political spectrum spend the night together; during their honeymoon, a woman cheats on her husband with her favorite soap opera star; a married man pretends to be ill to seduce his younger nurse; a family discovers that their son's beautiful fiancée is transgender; an unsatisfied single woman is duped by her celebrity crush for Kevin Costner; two best friends want to have fun; a couple on a tropical holiday is fascinated by their indigenous masseuse.

Construction worker Oreste and young fiancee Adelaide meet Nello, a cook in a pizzeria. This love triangle often goes to communist rallies, and enjoys the filthy beaches of Ostia. Will the hostile environment pave a way to jealousy?

Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.

An army cadet accompanies an irascible, blind captain on a week-long trip from Turin to Naples.

How Funny Can Sex Be? is an nine-episode anthology film about love, sex and marriage in contemporary, mid-'70s Italy.

A comedy film composed of 14 episodes. It is a sequel to I mostri, made in 1963. 1. The Finch of Val Padouan (Ettore Scola) - 2. Tantum ergo (Dino Risi) - 3. Hitchhiking (Mario Monicelli) - 4. Kidnapping of a Beloved Person (Ettore Scola) - 5. First Aid (Mario Monicelli) - 6. Big Boy to His Little Mother (Dino Risi) - 7. Model Citizen (Ettore Scola) - 8. Pornodiva (Dino Risi) - 9. Like a Queen (Ettore Scola) - 10. Inn! (Ettore Scola) - 11. Without Words (Dino Risi) - 12. The Funeral Oration (Ettore Scola)

Teresa is a young widow who is concentrated on her little business until she hires Gino.

Patricia, a journalist, is fed up with all the stupid chores and being ridiculed by her colleagues. To show her talent, she challenges her director Eugenio to test her. She will write a good article, but if she fails she will sleep with him.

Seven sketches including the title sketch "I See Naked" in which a fashion editor begins to see naked women everywhere he goes.

The Marquise Eugenia di Maqueda, an orphan raised by the nuns, marries Raimondo Corrao, but on their wedding night she finds out that he is her brother. The piece of news is in a letter written from Paris by their father, a womaniser who lives and hides from them in the French headtown. The pair decide, to avoid the scandal, to live as brother and sister. He will later leave for the war in Lybia, she will find solace and sexual satisfaction in the arms of the family chauffeur.

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

Police commissioner Lo Gatto is in charge of the local Italian police station within Vatican State. During an investigation, following the murder of a Vatican priest, he decides to question the Pope! For this reason Lo Gatto is sent to a Sicilian remote island Favignana. There is very little for the commissioner to do on the quiet island, so Lo Gatto decides to investigate the vanishing of a tourist which quickly becomes a very complicated affair.

Ten segments, all starring Johnny Dorelli and all having sex and sexual perversions as main theme.

Eight Italian politicians from the communist party gather on a terrace in Rome for a get-together. They discuss about their past, present and future.

The film follows the story of two couples in crisis who are about to break up but who, due to the Lockdown, imposed to stop the spread of the coronavirus, will instead be forced into a forced coexistence. The protagonists, through smartkworking, household chores and sports activities, will find themselves living under the same roof, giving life to a comedy full of laughter but also of reflections.

Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.

Elvio Battistini works as a ticket taker in the local cinema of the small town where he lives. He has a prosthesis in one leg, the result of an accident, but he tells anyone who will listen it is a war injury. Giuseppe Mondardini, is also an older man living alone in what was the splendid family home. When Elvio and Giuseppe meet, they hit it off immediately. A trip to a cooler area is in order, so Mordardini unveils his ancient automobile.

Over two decades after their affair ended, a married man is haunted by the presence of his former lover.

June 1944. In the newly liberated Rome, Roberto Rossellini and Sergio Amidei decide, against all odds, to make an unprecedented, true-to-life film on the tragic events that occurred during the Nazi occupation: Rome, Open City .

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.