LASALLE College of the Arts, Singapore

A father struggles to hold onto the remnants of his relationship with his son in the uncertainty of the present.

A grandfather decides to take his grandson on an outing.

A single mother struggles with the futility of her relationship with her special needs son as her patience grows thin.

On an unremarkable weekday afternoon, the film follows eight-year-old Dawn as she spends her birthday planning the perfect surprise, only to be surprised herself.

One day in the life of an uncle-a taxi driver who carries different passengers. No meeting passes without a trace for him. By the end of the day, the taxi driver's uncle recovers, meeting his beloved son.

Capturing life through the lens of a dream, Albert explores the evocation of the subconscious mind through the vivid visualism and dynamism of images.

A grandma tries to recall the familiar stranger sitting next to her. With much difficulty and frustration, she weaves her hazy memories of the stranger together, only for her to forget them once again.

Clara embraces solitude, however, struggles to find a balance between solitude and loneliness..

A playfully poignant animation that revolves around Rob, a lonesome dog, who steals a bag of rare feathers 一 the M.U.R.B.Y feathers 一 to achieve his dreams of becoming the most magnificent wolf. However, he loses all of his M.U.R.B.Y feathers to a strong gust of wind. He has to navigate a swampy journey of moral dilemmas with an unlikely companion.

A story about a doll exploring the delicate balance between guidance and autonomy, and the courage it takes to break free and dance to the rhythm of one’s own life.

An old woman reluctantly leaves her house and steps out into a white space with a bell. She drags her house with her and rings the bell, causing a door and its Gatekeeper to appear. She struggles to pull her house through the narrow door, and fights off the Gatekeeper who tries to stop her from doing so. Eventually, she fails and must let go of her house to walk through the door. However, she realises that she can immortalise her house through the memories she has of them and she willingly moves on, letting go of her worldly attachments.

Ain, a 28-year-old full-time patient care assistant, struggles to find a work-life balance. Work can be overwhelming for her on some days but there are days when working as a caregiver brings joy to her life. After a long day of visitations, she always looks forward to her last patient’s house.

Tania, a food facility worker and mother of nine year-old Rayyan, forms a connection with her Malaysian colleague, Johan. Her unexpected pregnancy forces her to explore the possibility of abortion before her husband’s release from prison.

In the midst of her grief, memories and dreams descend upon an elderly woman. It comforts her, and at the same time haunts her.

A poignant reflection of the power of memory and the rush of emotions accompanying the recollection of past experiences. A classroom once filled with vibrant energy is now hollow and lifeless as Jian revisits the classroom where he met his childhood sweetheart.

Inspired by Jollin Tan’s poem ‘Shapeshifter’, eggs are used as metaphors in the film for self-representation, illustrating how humans break and conform to fit into society. However, whether fried, boiled, or scrambled, an egg is just an egg.

The story follows Joan, a teenager who discovers that she’s adopted and leaves home. Joan’s escapade begins when she meets a domestic helper, a Bangladeshi worker, and an old man with dementia who mistakes them for his family. Determined to bring the old man home, Joan goes on an adventure with the trio.