Les Cinéastes Associés

Animated short. Abstract forms in a setting evocative of a concentration camp created by the universe. Based on a series of paintings by the Polish artists and filmmaker Walerian Borowczyk, Les Jeux des Anges takes the viewer into a nightmarish and sinister labyrinth world. With images reminiscent of Bosch and Ernst and an abstract soundtrack the film evoke unspeakable horrors lurking at the heart Borowczyk's masterpiece. Borowczyk described the film himself as "A report on the city of angels."

"Theatre of Mr. and Mrs. Kabal" is Walerian Borowczyk’s first feature-length film and his last animated film. It consists of a sequence of loosely connected scenes, much like a vaudeville program, in which Mr. and Mrs. Kabal perform absurd, surreal, and sometimes cruel acts.

A martian comes to a small town in Quebec and becomes friends with the town children. He gives them candy to get the children into his spacecraft. This alarms the parents but he wins them over and they have a great big Christmas party.

A short film by Walerian Borowczyk. Ostensibly a film of a concert given by the round, unassuming Monsieur Kabal and his spiky, terrifying wife, it's actually a cover for their frequent attempts at causing each other extreme physical harm.

An experimental film about peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the Eve of Italian occupation of the country.

To the sound of trumpets, a collection of pulverised antique bric-a-brac begins to reassemble itself, revealing a stuffed owl, a cornet, a hamper, books, a doll, a plate – and a bomb...

An insurance investigator meets an attractive woman in a hotel on his way to check out the causes of a fire that destroyed a movie set.

A short film by Walerian Borowczyk. This first volume looks at the first three letters in Grandma's encyclopaedia: A for 'Automobile', B for 'Ballon', and C for 'Chemin de fer'.

In 1856, fresh from life with nuns in an orphanage school, Alexina Barbin comes to a coastal village in La Rochelle to teach the village girls. She is deeply religious. She shares the classroom and a bedroom with the young and vivacious Sara, with whom she falls in love. Alexina has another secret: her gender is mysterious. She and Sara begin a scandalous love affair, but Alexina seeks marriage and social acceptance. She discloses her secrets to the village priest, to her mother, to the bishop, and to the bishop's physician. After the church and court rule on her petition, marriage to Sara becomes Alexina's sole purpose and hope.

An adaptation of one of Samuel Beckett’s most powerful plays which is in fact a mime. A man sits in a desert and struggles to reach a flask of water and other objects symbolising relief or escape. The objects remain stubbornly out of reach, but the man doesn’t give up. What is significant about this play is that Beckett captured, without the use of words, the major concerns and motifs of Waiting for Godot and Endgame.