The Magic Flute

The Magic Flute 1975

7.20

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

1975

Edvard Munch

Edvard Munch 1974

7.40

Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.

1974

Parade

Parade 1974

5.60

For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.

1974

Ciao, Federico!

Ciao, Federico! 1970

6.60

A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."

1970

Nattcafé

Nattcafé 1965

1

Shows the people who visit a café that is open late at night

1965

Funny Boy

Funny Boy 1961

1

Ad man Jonathan Blake gets tired of his work and runs away to a time travel agency for the first flight out.

1961

Shall We Go to My Place or Your Place or Each Go Home Alone?

Shall We Go to My Place or Your Place or Each Go Home Alone? 1973

5.80

Arne, Calle, and Gunnar are friends, probably in their twenties. One telephones the others, and they decide to visit a nightclub. They hope to meet women and have sex. After they arrive at the club, each man meets with a certain degree of success or failure. Calle particularly is frustrated, for no woman agrees to dance with him. Meanwhile, Arne and Gunnar are busily conversing with women. Eventually the friends all leave with lady friends in tow, and spend the night in various apartments. In the morning, the couples depart differently. One couple has bonded amicably, another tenuously, and the third not at all. The next day, the men reconnect, and decide to try their luck again. Written by veloc

1973

The Father

The Father 1969

8.00

The Cavalry Captain and his brother, the Chaplain, discusses whether an adjutant is the father or not of the child one of the maids is expecting.

1969

Champagne Rose är död

Champagne Rose är död 1970

1

Mysterious international agent and playboy Jason goes from country to country engaged in a shadowy high-stakes game of espionage, love-making and violent intrigue.

1970

The Trap

The Trap 2012

6.00

Set in the underground living quarters of a scientist working at an international nuclear waste station near the west coast of Sweden. It is the end of 1999, and the TV in the oppressive living room inhabited by John (the scientist), his wife Margereta, and their son Peter, is proclaiming optimistic statements about the promise of the New Millennium.

2012

Storm

Storm 1960

5.80

An elderly gentleman lives alone with his maid Louise. He spends his days chatting with the confectioner who lives and works downstairs, playing chess with his brother Karl Fredrick, and content with his memories. His young wife Gerda ran out on him five years ago, taking their young daughter with her. Now, unbeknownst to the gentleman, she’s back… and living in the upstairs apartment with the child and her new husband. When Gerda finally faces the man, sparks will fly and old wounds will be reopened. Bergman's TV adaptation of August Strindberg's play "Storm" was presented on the 111th anniversary of the author's birth. The production was also shown in Denmark and Norway and received glowing reviews. Bergman was celebrated as an outstanding TV director and was praised for his tact and sympathy in depicting old age, his superior lighting and fine camera work as well as his understanding of the medium in his use of close-ups.

1960

Badjävlar

Badjävlar 1971

6.70

Holidays on the swedish east coast. Invading summer guests collide with the locals, all without inhibitions. The formerly so radical Social Democratic municipal councilor has completely lost his visions and fully accepts that the area is transformed into a tourist resort for the rich.

1971

Diskrummet

Diskrummet 1974

1

About the people at the bottom of the hierarchy working in a restaurant.

1974

Fia i folkhemmet

Fia i folkhemmet 1977

1

Fia is 18 years old, pregnant and has just moved with her boyfriend to their first apartment in a suburb. Alone she tries to navigate the society of adulthood for the first time.

1977

Rabies

Rabies 1958

7.50

A relay race of "scenes from human life". Depicts the human characters inferior traits are spreading like a disease: the person who gets rejected / humiliated / oppressed takes it out on someone else.

1958

Pälsen

Pälsen 1966

1

Doctor Henck is having bad day, and borrows a fur from a friend. It gives him new confidence, and his day immediately gets better. Hjalmar Söderberg's rejected 1911 movie script, filmed in 1966 for TV as a silent film with a piano soundtrack, to match the time in which it was written for.

1966

Monument

Monument 1967

1

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

1967

Ingmar Bergman Makes a Movie

Ingmar Bergman Makes a Movie 1963

7.30

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.

1963

Mr. Sleeman Is Coming

Mr. Sleeman Is Coming 1957

5.60

Herr Sleeman kommer is a 1917 one-act play by the Swedish author Hjalmar Bergman. The main character is an orphaned young woman who is about to be married off to an unappealing but rich old man, Mr. Sleeman, at the instigation of her aunts who have taken charge of her. Bergman infuses the situation with overtones of rueful pessimism concerning life in general.

1957

Who Loves Yngve Frej

Who Loves Yngve Frej 1973

6.90

A tragicomic story about rural extinction and the meeting between the local shoemaker Gustafsson and Pettersson from Stockholm.

1973