Dinaridi film

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

After their mother's funeral, estranged siblings Nikola and Saša spend three days in their childhood home, clearing out their mother's belongings and preparing the house for sale. Trying to postpone the inevitable, they also try to clean up their relationship. Failing to communicate as adults, they regress into childhood…

Branka is a young caretaker who has recently moved to an island to look after an elderly woman. After the harsh winter is over and her job is finished, Branka decides to stay on the island for the summer season. She gets a job in tourism, but the pay is meager and the job exhausting, making it just a temporary solution.

Migrant shipyard workers spend their daily routine in a dormitory on the Adriatic coast. In the evening one of them visits the nearby city.

Cat rescue volunteer Mirna Kirin goes to the island of Mljet in an effort to castrate local cats. In only seven days, she traps dozens of cats. Her Don Quixotesque struggle, both with the cats and the islanders, intensifies as they often refuse to collaborate, and her attempts to explain the reasons for her actions cause her to break.

Nena recently started working as a school assistant to seven-year-old Dejan who has learning disabilities. It's one of the first Nena's grown-up jobs, and Dejan is a tough cookie so every day is a new challenge for the two of them. Apart from that, Nena also has to struggle with the rigid school system around them. Things look pretty bleak until one day a fluffy white friend comes to visit.

Somebody’s car is on fire. Somebody’s head got kicked in. Somebody got their mobile stolen. Will the troublesome adolescent break the vicious cycle of violence he may or may not have started himself?

In Melita Vrsaljko’s debut film Knin – Zadar we follow the daily routine of the director’s father, a railroad shunter at the Benkovac railway station, where time seems to have stopped sometime in the last decades of the 20th century. The basis of this film’s dramaturgy is a subtle counterpoint between serenity and expectation achieved by minimalist and static shots of a space in decay, against the backdrop of a quiet and multifaceted soundscape.