Aries Cinematográfica Argentina

The warrior Deathstalker is tasked by an old witch lady to obtain and unite the three powers of creation - a chalice, an amulet, and a sword - lest the evil magician Munkar get them and use them for nefarious purposes. After obtaining the sword, Deathstalker joins with other travelers going to the Big Tournament to determine the strongest warrior. The false king holds the true princess in captivity, and plots to have Deathstalker killed, and Deathstalker must fight to free the princess.

Set during the days of the Roman Empire. A simple village is raided by Roman troops, and most of the people are whisked off to be slaves or killed. Three women survive and set off to liberate their people. When they arrive at the Roman city, they team up with the local underground to seek vengeance and liberation of the slaves

Miami DEA agent Cliff Adams is in South America working undercover for Gonzalo Reyes, the biggest cocaine exporter in South America. Cliff's fiancée, Janet Meade, is a reporter doing a story about Reyes. Reyes orders Cliff to kill Marcelo Villalba, who is running for his countries position as president, but Cliff can't bring himself to do it, because his assignment from the DEA is to work against Reyes. Reyes is afraid Villalba will put him out of business, and is afraid that Janet's story will do the same thing, so Reyes sends someone else after Villalba, and then Reyes has Janet kidnapped, and Cliff is the only one who can keep Reyes' plans from succeeding.

The story about a family that must maintain an insatiable grandmother.

The mighty warrior, Kain, crosses the barren wastelands of the planet Ura, where two arch enemies, Zeg and the evil degenerate Balcaz, fight incessantly for control of the village's only well. Kain sees his opportunity and announces that his sword is for hire... but his eyes stay clearly on the beautiful captive sorceress Naja, and his newly awakened purpose.

Simon, son of the king, must flee when the empire is overthrown by the evil Shurka. Schooled in the arts of magic, he must find the Ring of Magic and the Sword of Power and defeat the wizard who killed his father. He is joined in his quest by the swordmaster Kor, his faithful protector Gulfax, and the Forest Wizard Hurla.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.

Two coworkers decide to blackmail the corrupt demolition company they work for by setting up a fake accident.

The Valet (Manuel Rosón) enters a hotel room with Joseph Garcin (Morgan Sterne) in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano (Viveca Lindfors) and Estelle Rigault (Rita Gam), are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.

A widowed lawyer meets a beautiful woman who is going through her divorce and helps her get custody of her children.

A television director decides to make a show about the invasion of transvestites in Mar del Plata. He commissions one of his editors, Jorge Trolombati, who must infiltrate and impersonate one.

A television network infiltrates an inept employee (Porcel) in the competition and he begins to ruin all the programs but, instead of subtracting audience, he only managed to improve it.

Alberto and Jorge are employees of a pharmacy. One day, by mistake, they give a client a bottle of poison in exchange for a medication that she had to start ingesting 48 hours later. Realizing this, they decide to go out and look for her with the only data they have: her first name, her striking clothing, and that she was driving an imported motorcycle. So they launch into a crazy race against time touring the fashionable places of the Buenos Aires night, helped by a woman who claims to know the mysterious girl on the motorcycle.

Leonor Capulletti and Quique Monteschi, fanatics of the same club, love each other in a passionate as well as conflictive courtship, because their respective families are allied in opposing and irreconcilable factions.

Mauricio and Alberto are friends and work in an insurance company. Apparently they have very dissimilar personalities, since Alberto is a hummingbird who lives courting as many women as he can and Mauricio is serious and lover of his wife. In reality, Mauricio maintains a hidden relationship with a vedette named Monica, who constantly puts him in trouble when he asks him to separate from his wife and go live with her. Alberto, aware of this, proposes to Mauricio that he pass his lover to him, and Monica becomes his stable lover. Mauricio and Alberto's women become suspicious and everything gets complicated, and they come to the conclusion that keeping Monica is very dangerous for both of them.

Mendizábal, a hit man, its ordered by his anonymous clients to murder a man. But in the precise and obsessive persecution, he will discover that he is only part of a game that doesn't belong to him, a web at the service of greater interests.

A small revolution breaks out in a small Argentine town, as one group of Peronists calls they newly elected peronist a communist. The newly elected official enlists the aid of allies ranging from the town drunk to young peronists to help hold his post. What follows is a slapstick war with a serious message.

Argentinísima II is a film filmed in Argentine colors directed by Fernando Ayala and Héctor Olivera according to their own script that premiered on June 21, 1973 and whose main actors were Ginamaría Hidalgo, Eduardo Falú, Jaime Dávalos and Raúl Barboza. The continuation was planned for 1974 as Argentinísima III with a plot by Jaime Dávalos, but since problems with the title and intellectual property could not be overcome, it was not made.