Vixen Films

This documentary is set in the New Marilyn night club in Tokyo, Japan - where the hosts are transgender men. They can only make their living as hosts in a nightclub with other wannabes like them. The young women who come there often have relationships with them but the underlying fear is whether such a relationship can withstand the pressures on a girl to get married and have children. All three boys deal with this in different ways. These three hosts, the Shinjuku Boys, take us into their lives.

This fascinating documentary is based around the Japanese wrestling organisation Gaea's rural training camp, and traces, in the main, the careers of four hopefuls. In charge are two magnificent specimens, the butch champion Chigusa Nagaya, still venting her hurt at the hands of her army father as she tries to whip her surrogate daughters through the pain and commitment barriers; and her sophisticated and slightly menacing Chairman. It's a gruelling, physical film, as you would expect, but the makers don't make heavy weather of it. And it certainly disposes of any idea that the game is faked.

Set in Kumba in South West Cameroon Sisters in Law follows Adultery, Rape and Abuse cases led by a Female Judge.

This film is about Japanese women, escape, glamour and dreams. The Takarazuka Revue is an enormously successful spectacular where the all-women cast create fantasies of erotic love and sensitive men. It is also a world for young girls desperate to do something different with their lives. In return for living a highly disciplined and reclusive existence, they will be adored and envied by many thousands of Japanese women. They will look, act and behave like young men while having no real men in their lives. Dream Girls explores the nature of sexual identity and the contradictory tensions that face young women in Japan today.

Sampat Pal Devi, founder of India’s Gulabi (“Pink”) Gang and fearless defender of the rights of untouchable women, challenges husbands, fathers-in-law and policemen in this immersive study by acclaimed documentarian Kim Longinotto. More than a profile of an everyday heroine, the film captures the courage and sacrifice necessary for social progress.

DIVORCE IRANIAN STYLE unfolds inside an Iranian divorce court, providing a subtle and intimate look at the lives of women in a country stereotypically associated with fanaticism and oppression. Astute and beautifully observed, the film reveals the ingenuity and humour with which Iranian women negotiate the restrictions of their society.

RUNAWAY follows the stories of five young girls who arrive at a refuge in Iran’s capital city Tehran, having run away from abusive or neglectful families. Some are in despair, others are simply mischievous; but somehow they must all learn to face the future.

The film was originally conceived as a portrait of Dr. Nawal El Saadawi, the well-known Egyptian doctor, writer, and women’s rights activist. But the director was disappointed by the encounter with the woman who had been her great role model. Instead, she set out to discover what life means to Egyptian women by visiting her female relatives. Her mother, aunts, and neighbors talk about life as a married woman, about the traditional clitoridectomy of girls, about love and sexuality. The result is a very impressive and extremely personal film.

EAT THE KIMONO is a brilliant documentary about Hanayagi Genshu, a Japanese feminist and avant-garde dancer and performer, who has spent her life defying her conservative culture's contempt for independence and unconventionality. She denounced Emperor Hirohito as a war criminal, and dismissed death threats made against her by right-wing groups.

Clause and Effect is a tape that combines documentary footage with positive images of gay men and lesbians to show the impact of Clause 28 of the Local Government Bill both on them and the wider community. The tape is framed by an exclusive interview with Derek Jarman who talks about the origins of the Clause, ‘its roots in the moral majority and their interpretations of the Bible’, the effect that it will have on the community and on his work as a film maker.

Kazuko Hohki goes back to Tokyo with her band, the ‘Frank Chickens’, after living in England for 15 years. This wry and delightful film records her re-experiencing of Japan after a long absence, examining traditional attitudes to women and those of Kazuko’s friends who are trying to live differently.