Autentika Films

In Chile, 1973, during the last days of Salvador Allende's presidency, an employee at a Morgue's recording office falls for a burlesque dancer who mysteriously disappears.

Set in a community of project houses, Iris, a young woman with a tough past, meets Renata and feels immediately attracted to her. A tender coming of age story about friendship and first love in a hostile environment.

Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.

Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, she travels through rural Argentina to bring the creature back to its place of origin.

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

Quirino, 77, has lived for more than 30 years in an abandoned village, at the bottom of a deep valley, between the sea and the mountains. Feeling the effects of old age, Quirino faces the dilemma of having to leave the only place he has ever known or end his days there.

Bastu's grandchildren and friends help her pick up the strands of her life after her husband dies.

In the bucolic countryside of Brazil, Marcelo, an easygoing cowboy at a cattle farm lives for one passion: rodeos. One tragic incident affects him deeply. Little by little he overcomes the trauma and is ready to dream again.

Like every day, Alicia takes her son to school. Michael, a teenager overwhelmed by his mother's protection, knows that he can't do much. She is determined to prevent him from being recruited by gangs that spread terror in neighborhoods with invisible borders where every step taken has to be calculated. This is the story of Alicia, the day her son doesn't return from school, and of Michael, the day his miscalculated steps lead them both to the abyss.

A wise old man embarks on his final journey, entering the Colombian jungle to find a place to die. But the paramilitary soldiers who control the area endanger his peaceful transition to the realm of the dead.

The culmination of Encina’s work with the so-called Archives of Terror—meticulous records kept by the government of dictator Alfredo Stroessner. Encina’s longstanding political and aesthetic research project focused on how a community can cope with such detailed accounts of human rights violations. Memory and history, the personal and the political interweave in this experimental documentary that explores the consequences of Stroessner’s decades-long state terror regime and how it continues to mark the Paraguayan people. Constructed from the testimonies, visual material, and memories of the children of Agustín Goiburú, an opposition leader who disappeared in 1979, the documentary is a provocative reflection on how film might respond to political circumstances amid a surfeit of images of terror.

Ignacio is shooting a documentary on the people who disappeared in 1982 during the armed conflict in an indigenous Guatemalan village. Amongst the families are Delfina and her son Juan. Delfina still hopes to find her husband, but Juan knows who was responsible for the disappearance of his father: someone who still lives in the same village.

Dione is a mysterious young man living with a family in a rural and remote place in the southern Brazilian plains. The quietness of the region is disturbed when a rich landowner tries to buy the small property where Dione and the family live.