UNAM

Sound progression of two opposite landscapes.

Exposition of two different processes of forensic identification in exhumed bodies with features of violence.

Displaced by the violence that swept their town, Paloma and Lobo survive trying to love each other. Through thirst, fear and nostalgia, Paloma wishes to go back home but Lobo lives tied to a memory that stops him from returning.

Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.

Their men went to the North in search of their destiny, while they stayed.

An unnamed man goes to a hotel to commit suicide with pills while listening to songs by Marlene Dietrich. But that act that seems to trigger the mere memory of places and experiences before dying, suddenly merges with other characters and dramatic experiences, which give life to a limit work, of desperate, almost intolerable courage, obstinate in dismantling all institutional discourses of the history of Mexico, without ceasing to use extraordinarily all possible cinematographic resources.

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

The story is about a young man suffering mental retardation and sexual awakening, poet is charismatic and has the ability to pay attention to those little insignificant details of everyday life. His new status as a lover will bring popularity and with it problems will expose prejudice and false morality of a blinded people to wash their sins charged with the death of the less guilty.

Don Plascencio has a collection of men he uses like radio stations: in a routine aural examination each man plays a different musical piece instead of the usual heartbeat.

In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".

Mexico City, 1960. Aurelia lives happily with her family. Just before the birth of her third daughter, her husband dies in an accident. Years later, Leonor, the oldest daughter, has quit her studies to help her mother support the household. Beatriz, immersed in her music, lets life slip her by like a strange melody. Adolescent Nadia has only one interest in life: to seek new experiences. Aurelia starts to lose her sensibility to pain, and the family relationships become so alienated that they begin to disintegrate like the house they live in.

"Everybody's Got Somebody... Not Me" - Alejandra is sick of her daily life and her past relationships that have not worked out. Then she meets María, an adolescent, with whom she has an affair. At first everything runs smoothly, however Alejandra´s personality and her emotional needs prove increasingly demanding; being around her becomes unbearable. At this point, they ask themselves whether they should continue the oppressive relationship, or go on with their ordinary lives.

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Samuel is a taxidermist in charge of dissecting a fish, however, he begins to be stalked by his neighbor who seems to be plotting something terrible against him. Samuel becomes obsessed with this idea, and little by little he will unravel the truth of the harassment of him, without knowing that this will lead him to a destiny surrounded by horrors, blood and cosmic delusions.

In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity. Fifty years later, his movie is no longer a secret.

During the trip back from their vacation, a young couple is stranded in the middle of the road and they lose all forms of communication, including each other.

Poncho, an 8-year-old boy, becomes obsessed with finishing a time machine, since he wants to meet Papá Nacho, his grandfather, again; who passed away months ago.

The film tells the story of Raquel, Rodolfo and Hernán, members of a brigade at the UNAM during the student movement in Mexico in 1968. Through their photographs, films and writings, we will know the history of the day that the army took the university and how their students united, shouted and never forgot.

Luisa and her sister Estela will play hide and seek during a particular night. They both have suffered an important loss in their family, the mourning and grief will be present inside their house all night long.

"Alguien se acerca", "Viajeros", "Lilí" and "Azul celeste", four stories directed by Ramón Cervantes, Rafael Montero, Gerardo Lara and María Novaro, respectively.