Tau 1907

In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens.

A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.

The film, a parody of the novel Twenty Thousand Leagues Under the Sea by Jules Verne, follows a fisherman, Yves, who dreams of traveling by submarine to the bottom of the ocean, where he encounters both realistic and fanciful sea creatures, including a chorus of naiads played by dancers from the Théâtre du Châtelet. Méliès's design for the film includes cut-out sea animals patterned after Alphonse de Neuville's illustrations for Verne's novel.

A group of travellers go into a house for protection. Little do they know, it is filled with ghosts who make unusual things happen to them.

The town-crier summons the inhabitants of the town and they read a manifesto which is posted on a wall announcing the fact that at 4 o'clock on that day the Lord Mayor will receive bids for the building of a town clock.

The title is vital, since the bulk of the action consists of a well-dressed man magically producing a series of items to furnish a bare room, culminating in his summoning up a charming lady to share his meal. Hearing the guards approaching, the man reverses the process, ending with a bare room when the two men enter.

The first adaptation of Lew Wallace's novel, Ben-Hur: A Tale of the Christ.

A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.

This film from George Melies is sadly one that's only available in fragments. The film starts off with a title card stating that a drunk man has just thrown his family out a window. We see a couple of them landing on the ground and then we go back to the room where the drunk is now trying to kill himself.

Magic tricks in a medieval setting.

A grenadier had come to see his lover, a servant in the homes of wealthy bourgeois people. Hearing a noise, he is afraid of the masters and allows himself to be locked in a cupboard so as not to be seen. This is a hiding place that will spark many adventures.

During the Paris Commune, a boy runs across trouble at the barricade. This film, which has been mistakenly attributed to Alice Guy (she married and moved to the United States in March, 1907), was shot by Etienne Arnaud on August 12th, according to the director's own, preserved notes.

A combination of the story of Goldlocks and the Three Bears with the true story of how Teddy Roosevelt spared a bear cub after killing its mother while hunting, an event which led to the popularization of the teddy bear. Goldilocks goes to sleep in the bears' home after watching six teddy bears dance and do acrobatics, viewing them through a knothole in the wall. When she is awoken by the returning bear family, they give chase through the woods, but she runs to the aid of the Old Rough Rider, who saves her.

"Le Pied de Mouton" is an adaptation of an old French stage play titled "The Talisman" written by Alphonse Martainville and César Ribié. The atmosphere is hilarious, oneiric and delicious. The film tells the story of Gusman and Léonora, two lovers who must deal with many spells and troubles in order to preserve their love. The tale is full of princes and princesses, damsels in distress, good witches and wicked lords and is an amazing piece of work.

This is a compact telling of the Cinderella fairy tale and the film is elaborately staged.

An adaptation of the Shakespearean tragedy.

An old woman begs a young men to carry her heavy bundle of firewood. The man refuses: he rather goes to sleep. The woman, who turns out to be a witch, punishes him with terrible apparitions.

The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification of their own. They invite their friends to a fine high tea. Everybody is having a fine time, and their spirits are running high. We are now taken to the outside of the hall door, and watch with amusement the frantic pounding and bell ringing of the residents returning from their evening engagements and seeking admission to their apartments. The gay gathering inside are too busy with their own pleasure to heed the angry crowd outdoors. A policeman is called, but all to no purpose, and the tenants are all taken to the station for quarters for the night. Returning to the janitor's quarters we see that the jollifications have been concluded and the guests are all departing. The superior officer at the station concludes to make another effort to gain admittance in the building and, with the tenants at his heels, he approaches the flats.

The opening shows a colored nursemaid in the park with baby carriage, and seated on a bench receives the attention of several smart colored men who admire her greatly and endeavor to make her acquaintance. But the dusky belle is coy and declines to make the acquaintance of any of them, until one more fortunate than the rest is invited to a seat on the bench with her, and a most pronounced flirtation takes place between the lady and her beau. (Selig catalog)

After a witch has finished her breakfast and has flown away, two bandits break into her house. They scatter various magic canisters, and as a result, first from four ghosts and then from four devils, they are severely beaten. One thief flees, the other keeps trying and is shooed by the four devils and the four ghosts.