In the midst of the current recession, a series of disastrous telephone messages triggers a major domestic crisis fro the Kosnicks, a yuppie couple at the end of their rope. In the height of their despair, a door-to-door salesman tries to sell them a book about positive thinking, but for the Kosnicks it may be too late...
Summer 1994. Berlusconi has come into power and 16-year-old Elena, listening to Nirvana and starting to develop a political consciousness, can't wait to bring him down. Unfortunately her parents have other plans and, like every year, they head to the same boring summer camp. This year however they're all in for a surprise...
In Co-production with Hora Mágica. At the opening ceremony of the 2014 World Cup, a young man broke protocol and opened a banner in the center of the lawn asking for the demarcation of indigenous lands. Werá or MC Kunumi, son of the Guarani ethnic group, is a teenager, writer, composer and rap singer from the Krukutu village, in São Paulo.
After an outbreak of rage, an orchestra of ferocious howls intimidates a humble family who must take refuge in their house in the forest. Locked up and in total isolation, they will resist the situation from their own fears, manifesting atypical features.
António da Cunha Telles is an unavoidable personality of Portuguese cinema. As a producer, he was at the origin of Portuguese New Cinema by producing Paulo Rocha's film Os Verdes Anos, Fernando Lopes film Belarmino and António de Macedo's film Domingo à Tarde. As a director he gave him a second breath with his film O Cerco. As a distributor he brought Ivan The Terrible and the Potemkin Battleship from Sergei Eisenstein. As exhibitor he showed us Deus, Pátria, Autoridade de Rui Simões of Rui Simões and The Salt of the Earth by Herbert J. Biberman. But António considers himself more a director than anything else. With a scarce and uneven filmography, his films have, however, been a reflection of the time they were made, showing that António da Cunha Telles is, above all, an attentive spectator, not only of films, but of life.
