Théâtre du Rond-Point

"Pensées d'Alexandrie", "Bises du Caire" ... It's summer. They took their car, drove in coaches, flew in planes and visited camera in shoulder strap some distant country bristling with monuments and other "things to see", such as Egypt, Greece, India or Bordeaux. So as they are bored a bit far from their home sweet home, the Rouchon write to Brochon and vice versa - we are polite all the same! They send postcards not stung from the beetles. In these letters from the front of the leisure society, François Morel as a "melancholy mocker" has fun with often tender humor, sometimes biting, of this irrepressible need to change scenery to finally eye with a weary eye the pyramids and all those centuries that contemplate you while thinking of the evening meal (wine is free and at will) and the friends who have stayed in the country.

It's a crazy story. A happy journey to the epicenters of madness, the show parades portraits of a humanity of bipolar, paranoid and lost of all kinds, thugs and geniuses, surrounded by the dreams of pink rabbits in the hell of overwhelmed doctors ...

"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "

A staging of Jacques Attali's play "From Crystal to Smoke" by Daniel Mesguich.

ternal return. Is it a necessary evil? He already gave his "press reviews" in recent seasons. A great success, he returns, a committed humorist, clear, at the margins. A ridiculous clown or missionary, an actor first and foremost, Alévêque dissects news in a timely fashion, and everything the press says.