Trash Arts

Anne, believing herself possessed, requests an exorcism, with her two children by her side. On the third night, Father Stone, begins to doubt the family's intentions. Is Anne truly possessed, or are her children deceiving him?

The night before Lily and Joe make the move into their new home, Lily has a premonition of her death. Can she stop it, or will the house take her?

A sinister video rental store is the portal to six tales of terror. This is an anthology horror in the classic style of horror studios from the past but with a twist.

The third instalment in the "Trash Arts Killers" series, once again delivering more short bursts of shocks and scares from U.K. genre minds.

Trapped in an abandoned house, a nameless man desperately searches for clues to how he got there. The answer is hidden within a series of disturbing viral videos - each of which begins to infect his mind.

What remains when Brexit happens?

Thomas Laboss host of "Hard Streets UK", hits the road interviewing families from differing cultures across the UK, uncovering truths, whilst being his usual exploitative self. But there's something a bit more sinister about one particular family and he may not get out of this one alive!

In a sleepy coastal village a curse lies waiting. Legend has it one night centuries ago when a smuggler was delivering his illicit wares, the excise men pounced. One of the villagers had betrayed him. The smuggler was caught and quickly hanged as an example but, his widow was more than she seemed, the practitioner of an ancient religion of magic and sorcery. The villagers formed a mob to hunt her down as a witch, they brutalised her, tarred and feathered her, but before they could kill her she put one last curse upon the land; that nothing should flourish, no life or love, before taking her own life and spilling her blood upon the land.

After a rehearsal with her band, Tess meets Edward, and the two find themselves entangled in a deadly game of consequences. A remake of Carlo Lizzani's 1983 film "The House of the Yellow Carpet" which switches its subgenre from Italian giallo to British psychodrama.

Industrial Animals is a very small film in almost every measurable metric. Weighing in at roughly 61 minutes, this low budget, found footage film from the UK features a cast of just three people who also cover many of the behind the scenes credits as well. In fact, the entire story takes place over a three-day span, mostly in one simple setting. But while all of the factors add up to a “small” film, when all is said and done, Industrial Animals ends up packing a fairly strong and somewhat unexpected punch.

An anthology of horror shorts

Five participants take part in a psychology experiment on the aftereffects of a Ouija board session, finding something far more sinister than they could ever expect.

A cruel young man exposes the secrets of others online, only to find himself tormented by an unseen force with nefarious intentions of its own.

When Jason storms out on his wife, he seeks refuge in a nearby forest. Little does he know the forest is plagued with lost souls manifesting as his darkest desires and innermost fears

What do you get when you mix an ancient curse with mom's spaghetti recipe? Creepypasta! The latest thriller from acclaimed director Dustin Ferguson, Creepypasta takes viewers on wild, terrorizing ride through Spaghetti Town, where the locals are hungry, and the pasta is...deliciously deadly.

A chilling omnibus of terror tales from the cutting edge of horror underground, featuring short but devilishly sweet bites of blood-soaked stories.

An internet challenge is trending - who can hold onto a box for the longest? Follow five influencers as they attempt to complete the challenge but instead unwittingly face their darkest fears.

The following footage was recovered from a damaged camera found at the site of a main road in the south of England in 2003. The camera was found close to the scene of multiple murders.

Four friend return to there thieving ways seeing no faith in looking for a job, resulting in only guilt, death and judgement

Jerrod Carmichael generates intimate conversations with his family that explore ordinary subjects within the afroamerican experience that include sex, confidence, beauty standards and feminism.