A middle-class Italian family is tore apart when the father meets an old flame, the mother—a frustrated onetime actress—auditions for a play, their insecure son tries to make friends through drugs, and their underaged daughter—who has already figured out how to use sex to her advantage—does what she does best to appear on TV.
Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.
Zurich, 1905. Nineteen-year-old Russian Sabina Spielrein is put by her parents in a psychiatric hospital, suffering from a severe form of hysteria and refusing to eat. A compassionate doctor, Carl Gustav Jung, takes her under his care and, for the first time, experiments with the psychoanalytical method of his teacher Sigmund Freud. Thus is born a sweeping story of love and passion, of body and soul, soaring to the utmost heights, but also plunging to the darkest depths of the 20th century.
An elderly and retired police detective and a young amateur sleuth team up to find a serial killer whom has resumed a killing spree in Turin, Italy after a 17-year hiatus.
War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel and the Axis forces are bogged down; it's October, the British prepare an offensive. At first, boredom, heat, hunger, and thirst bedevil the Italians; then the Brits attack, and there's no luck or heroism in death. Finally, it's retreat in confusion. Serra, his sergeant Rizzo, and his lieutenant Fiori take a last walk toward home. It's said that each soldier gets three miracles; when Serra's are used up, what then?
Two angels, one from the heaven and one from the hell, come to earth to save the soul of a boxer.
A reconstruction of the bankruptcy of the Banco Ambrosiano bank and its liaisons with the Vatican and the Masonry through its president Roberto Calvi, notoriously found dead under the Blackfriars Bridge in London in June 1982.
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
A fairy tale-like love story between young circus artist Lola and the bear Misha, who one day transforms into a human being.
An Italian movie crew goes to London to make a documentary about a murder case that took place a few years before.
In search of purpose, 17-year-old Claudio helps easygoing mechanic Stefano build a car capable of winning a street race that could solve his financial problems, but gets himself involved with the latter's former girlfriend.
Antonio is a fallen angel, a rootless chauffeur in Rome, who relates only to the lonely heroes in the science fiction novels he grew up with. Only through a chance meeting with Maria, a woman struggling to hold onto her daughter and her business, does he discover a hope that's been in his detached existence.
Thriller about the murder by poisoning of a famous lawyer.
On the Spanish island of Ibiza, porn filmmaker Sandro and Angelino, the manager of a beachside watering hole, find their very different lives overlapping. Meanwhile, the island police chief, who is currently at odds with his rebellious son Jorge, is investigating the death of a drug dealer (which was accidentally brought on by Angelino). Jorge's plans to move to America have so far been thwarted by his father, but when he finds out about the affair his dad had been having with a male nightclub dancer, he uses it as blackmail fodder.
A London aristocrat (Rupert Everett) rents out rooms in his posh estate to a pair of Italians who are wooing two wealthy British gals (Elle Macpherson, Judith Godrèche).
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.
Filmaker Alina Marazzi assembles old home movies trying to piece together the life of her mother, Liseli, who committed suicide when Alina was seven years old.
Enrico is 30 years old, unemployed, and spends his life between public competitions and his friends at the bar. But one day, Silvana, his beautiful girlfriend, suddenly leaves him without explanation. His life falls apart, and Enrico even attempts suicide, albeit half-heartedly. Elvira, a sweet girl who has also recently suffered a heartbreak, mends his broken heart. Everything seems to be fine when Silvana returns forcefully to the forefront. Enrico has no choice but to divide his time between the two. Martha, a beautiful foreigner with children, will take him far away, dragging him to Uruguay. But Silvana will always be in his heart.
A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.
