Uzbekfilm

Shahjada Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here he falls in love with Sohani, who keeps a shop in metal pots. Ijjat Beg buys pot from her with whatever money he had and they were attracted to each other. Sohni dispensed with her servant and kept Ijjat Beg instead. This gave them more opportunity to meet. This was a scandal in the town and Sohni was perforce married to Rehaman who was slightly off his head. Sohni continued her meeting Ijjat Beg who went out fishing. When the atmosphere became to hot for them they jointly took a water grave for their love.

The movie is based on the story of Ali Baba and the Forty Thieves, from the One Thousand and One Nights or Arabian Tales. The role of Ali Baba is played by Dharmendra and Hema Malini play Morjina.

The film is dedicated to the philosopher, doctor, scientist of the East and poet Abu-Ali Ibn-Sin, who lived in Bukhara in the 10th century and was known in Europe under the name of Avicenna. Bukhara. Eighteen-year-old doctor Ibn Sina saves the emir from a fatal illness. Refusing gold and honors, the young man only asks for admission to the emir's book depository as a reward. The study of the works of ancient scientists, philosophers, doctors, observations of nature, numerous experiments increase the knowledge of Ibn Sipa. The treacherous attack on Bukhara by the troops of the ruler of Ghazna Mahmud, who devastated the city and set the world's greatest book depository on fire, forced Ibn-Sina to leave his homeland. After many years of wandering, he, together with his student and assistant Juzjani, comes to the capital of Khorezm, Gurganj, to declare war on the plague raging here...

In 1568, Saadi prince Abdelmalek is exiled from Morocco by his brothers, an event that is only the beginning of his adventures: fighting the Spanish Inquisition, taking part in the Battle of Lepanto, being incarcerated in Alicante prison, and assist in the Conquest of Tunis. Eventually, he returns to Morocco to fulfill his destiny.

The film tells the story of Anzirat, an elderly woman who lives in a small village in Soviet Uzbekistan with her son, daughter-in-law, and their ten children, all boys. Because of her strictness the villagers call Anzirat "Grandma-General". Back in the 1930s, Anzirat headed the main farm of the village and went through many hardships. Even when she gets old, Anzirat does not want to rest and cannot put up with the laziness, greed, and negligence of some of the villagers. She tries to put things in order for her family. Her son, however, instead of helping his pregnant wife spends all his spare time building a family football team. Only after Anzirat's death do the residents of the village realize how empty their village is without her. They feel that Anzirat was the conscience of their village.

A story about the friendship between two young men, two soldiers - Arkady from Odessa and Sasha from Ural.

In this animated short based on a short story from Ray Bradbury, the viewer observes a computer-controlled house in the near future and learns of the fates of its occupants.

Adaptation of three short stories by Ray Bradbury. An atmosphere of hostility forms inside an unnamed city, and the citizens are unsettled by the materialization of ghosts and the memories of their loved ones.

The film tells about the founder of the Mongolian People's Revolutionary Party, the leader of the Mongolian People's Revolution - Damdin Sukhe-Bator.

The story of the pied piper, the German legend of the rat catcher of Hameln, retold as a punk invasion of a Polish small town.

The Mischievous Boy — "Shum bola", a film on the eponymous story of Gafur Gulyam about the adventures of a little boy, whose restless character makes him different people and life situations.

A dying woman’s wish sends her son on a train journey from the steppes of Uzbekistan to the Russian hinterland in search of his father’s grave. Just as the traveler’s home city of Samarkand is situated on the border between East and West, Khamraev balances his film on the edge of two cultures, evoking the soul of Russia and the crumbling beauty of what was once the Silk Road.

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.

A Russian doctor is invited to work at Afghanistan's top hospital during the war, and sees firsthand the carnage caused by the Islamist mujaheddin as they attempt to overthrow the socialist government.

This is a story about modern youth, about how young people enters the great beautiful world of complex human relations, how, when faced with different people and phenomena, boys and girls are convinced that good and bright are affirmed in life.

Timur is trying to prove to the relatives of his girlfriend and himself that he is worthy of their family. But Ulfat is married to another, after which the young go abroad. Timur graduated from the Institute and became the Director of a large car service…