Cinema Dal

Thirty-six years ago, Lee Soohyun met Kim In-sun at a Korean Christian Women’s Association retreat in Germany and gifted her flowers. Despite threats from her then-husband and the disapproval of Korean society, In-sun found love and chose to be with Soohyun. Now, the two of them—who came to work as nurses in a foreign country where they knew nothing of the language—are still there and already in their 70s. For 30 years, they have lived together in Berlin and shared in all the joys and sorrows of life. Soohyun and In-sun have stood in solidarity with other foreigners like themselves while also looking after one another. They are two people who overcame boundaries. This is their love story.

Yong-ju, Gi-woong and Gi-taek used to be best friends in middle school, but in high school, Gi-woong becomes a member of the gang that bullies Gi-taek. As Yong-ju tries to fix this broken relationship, he realizes his special feeling toward Gi-woong.

Flight attendant Won-gyu left Korea 2 years ago with painful memories and now comes back. Won-gyu meets Tae-joon, who is a quick service delivery man and has a special night with him.

Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.

Min-Seo, a 17-year old rebellious high school Korean girl, lives in a small apartment with her mother and her mother’s penniless lover. She hates her mother’s lover and doesn’t understand both of them. Karim, a 29-year old Muslim migrant worker from Bangladesh has to leave Korea in a month. Before departing, he is desperately searching for his ex-boss to get his unpaid salary. One day, as Min-Seo’s summer vacation begins, Karim encounters Min-Seo on a bus, and together they set out on an emotional journey.

Gi-tae who is going to terminate his military service goes on a road trip with Jun-young by drugging him with a sleeping pill. They learn more about each other and come to terms with their sexuality.

A documentary about the continuing case of Samsung semiconductor plant. The film is a story about nameless people wearing white coat, hat and mask worked in a clean room exposing eyes only.

In October 2015, the evicted residents who had imprisoned on a false charge of killing a policeman assembled in a place for the first time after the Yongsan Disaster six years ago. They had occupied a watchtower against unreasonable redevelopment policies and in protest against violent suppression used by riot police in 25 hours of their sit-in demonstration. Their colleagues had died from an unknown fire, and they became criminals. The delight of meeting again lasts only briefly. The ‘comrades’ rip out cruel words while blaming each other.

Three part omnibus film, with each story connected to the 2014 Sewol ferry disaster, in which over 300 people, many students, perished when the ship sank.

YU Wooseong who had been working as a civil servant is on trial for espionage following his sibling’s confession. A reporter who has been laid off begins following the traces of a spy story manipulated by a government agency. The clues lead to a confession and false evidence that society and the press have turned their back on.

Sang-woo knows his teacher's secret: a visit to a gay bar. Kyeong-hoon and Sang-woo embark on a journey about their sexuality and their relationship and their place in society.

A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.

The documentary Two Doors traces the Yongsan Tragedy of 2009, which took the lives of five evictees and one police SWAT unit member. Left with no choice but to climb up a steel watchtower in an appeal to the right to live, the evictees were able to come down to the ground a mere 25 hours after they had started to build the watchtower, as cold corpses. And the surviving evictees became lawbreakers. The announcement of the Public Prosecutors’ Office that the cause of the tragedy lay in the illegal and violent demonstration by the evictees, who had climbed up the watchtower with fire bombs, clashed with voices of criticism that an excessive crackdown by government power had turned a crackdown operation into a tragedy.

This film takes place during the winter of last year when there was a nationwide slaughter of livestock to put a stop to the foot-and-mouth disease. Filmmaker Yun witnesses hundreds of pigs buried alive in a neighborhood farm. She suddenly realizes that she has never seen a pig before, and decides to follow its life closely. Yun goes deep into the mountains to meet a pig farmer who raises his pigs in a traditional way. Observing the daily routines of the mother pig Ship-soon and her piglet Don-soo, Yun discovers new facts she has never known before. As she develops a bond with the lovely pigs and acknowledges another side of the farm and meat industry, it becomes more difficult for her to enjoy pork cutlets as she used to. And to make matters worse, her husband and young son, Do-young, are not making her choice of daily menus easier. As she falls into a deep dilemma, what is she supposed to do? Her awareness about eating meat begins to penetrate her every day.

Mother disappeared. Son faces the truth that was hidden for thirty years. In 1983, a twisted love story among a woman, a revolutionary, and a fraktsiya unfolds.

Nora Noh, the best fashion designer, who dominated the scene of Korean women’s fashion and culture of the time. She was the first person ever to hold a fashion show in Korea and to make designer readymade clothes. She boldly dressed the Korean singer Yoon Bok-hee in a miniskirt and styled the duo vocal group Pearl Sisters in pantallong (flare-style pants). One day, when Noh was preparing for her show, a young stylist named Suh Eun-young comes to see her out of the blue. What kind of show will the two of them create amidst their differences and conflicts?

When her pregnant mother leaves home with her boyfriend, Yujin finds a job at a pizza shop. Thanks to the people she meets there, she is able to find stability and love. However, the relationship with the lover as well as the relationship with her mother are challenging, and things get increasingly complicated. Yujin thinks she’s ruining everything.

Jinmu starts to record things he should remember with a camera after hearing that he could lose his memory due to the prearranged brain surgery. Memories of family and his forgotten father comes to Jinmu's mind as he takes records of his life.