This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
Despite the disagreement of their mother, the sons of old Taras Bulba are taken to the Dnieper camp on their return from a Kiev seminary, to teach them how to become real Cossacks.
During the student movement in Bologna, Italy. 1968. Angela and Massimo are friends, lovers and college students. They get to know Guido, the heir of a wealthy family who has never known love pure. Impressed by the feeling that binds the two lovers, Guido invites them to move into his house. Soon, in a series of betrayals, confessions, departures and returns, it will create a conscious threesome bound to result in tragedy.
Lucien, a modest engineering student, discovers that his steady girl friend Mireille is using him to cover up her dates with Mario, an older man. Lucien wanders about the streets of Paris and meets Joëlle, a sophisticated teenager who supports herself with a job in a sleazy nightclub. It is late when they meet, and Joëlle invites Lucien into the club and demonstrates her stripping act to her one-man audience. A feeling of rapport develops as they go from place to place seeking entertainment; in the morning the two discover they have fallen in love. Mireille learns of the romance and, on a bet, plots with Philippe and other friends to break up the affair. Neither Lucien nor Joëlle, however, succumbs to the propositions of Mireille and Philippe. Later at a nightclub, Mario gives the appearance of seducing Joëlle. Enraged, Lucien rushes at him and they fight. Lucien is reunited with Joëlle--he has learned of the complexities of love, and she has acquired from him a sense of stability.
