Year 1993, the bleakest time of war in Bosnia and Herzegovina. A group of actors from Belgrade, utterly unaware of what they're setting themselves up for, embark on a search for quick earnings - on a "tour" around the Serbian Krajina. However, there they are thrust into the heart of war and begin to wander from war front to war front, from one army to the next.
A grenade fired from a nearby hill kills the parents of a ten year old boy during the siege of Sarajevo in 1992. The Boy looses his ability to speak. A lady neighbor adopts and takes care of him. The Boy is thrown out from his destroyed apartment and begins to prowl around the city with a schoolmate. Too early and too soon, he goes through the process of growing up. He learns the meanings of such words as force, death, sex. He learns how to achieve. He learns about the values. He learns what matters the most. The Lady neighbor that takes care of him tries to shelter him and protect him. Unsuccessfully. The Boy rides to fall. Death and suffering become more frequent, and more severe. When the Lady neighbor's teenage son is killed by a sniper as a collateral damage, she then rejects the Boy. The Boy escapes the siege, and shoots from a cannon at the city.Fifteen years later, the Boy - now twenty five - and the Lady neighbor meet again. They are united in pain and suffering.
The story begins a couple days after the war has ended. A group of Serbian soldiers in charge of clearing the fields from mines discovers a man sealed inside a factory's basement. A mysterious man says he is 'ours', he doesn't feel cold, isn't hungry and only asks for cigarettes. As soon as he is brought along, people start disappearing, and the infighting begins. Who is the mystery man?
A Montenegrin teenager is sent to Serbia in order to evade blood-feud caused by his father's reckless behavior. Little does he know that even greater dangers await for him. In Belgrade he will face both the avengers who went after him and this metropolis' very own nightlife and foxy ladies. And in cities like Belgrade - women and nightlife can be deadlier than a bullet. People of Montenegro are known for their specific mentality and system of values, not unlike Sicilians, Corsicans or Cretans.
How I Was Stolen by the Germans (Serbian: Koko su me ukrali Nemci) is a Serbian movie. Alex (52) is sufficiently renowned writer who is engaged in repairing other people's texts. It is vital, educated, talented but a bit of a misanthrope. One day in his life enters a girl Roma (6). Alex tells her the stories of his childhood ... The movie is a story of the film director childhood.
Our story takes place at the end of the 1960s. This is the time of the collapse of the ideals of a more just and honorable life brought into prominence by students worldwide in the great rebellion in 1968 and of the beginning of the end of an equally grand illusion called Yugoslavia. Andjelko is the principal of a middle school in a small Bosnian place Dubica. He believes in Yugoslavia and worships its leader Josip Broz Tito. Andjelko, however, has one serious fault: he is a forger, he makes forged school diplomas. He does not do this out of self-interest, but because he is a staunch philanthropist. One day, a neighbor for whom Andjelko forged the leather-working school diploma, in order to take revenge on the local veterinarian, reports to the police that this one too has Andjelko's diploma. Our hero is, therefore, forced to flee to the big city. He lives there illegally, at the harborers of outlaws for whom he once forged diplomas. But one day, Andjelko runs into his schoolmate...
Thomas Geer is an American journalist who comes to Sarajevo, Bosnia and Herzegovina, to make an objective report on political events and conflicts. The main actor in his report is a high-ranking official who is responsible for making an identity law. Thomas reveals too much information through his investigation on the aforementioned politicians, and revealing things that might change direction on the radical moves.
‘Borders, Raindrops’ is a film about love, maturity, and hope, growing in a barren and abandoned landscape. The film is divided in two parts, with the protagonist, a young woman – Jagoda – connecting them as a ghostly presence, bringing hope and reconciliation within the two narratives. She is a student visiting family in the summer, living in the declining villages of former Yugoslavia, overlooking the Adriatic coast. In the first story she bonds with a cousin in his mid-thirties, who is building a house in the village, but has no one to marry and live with him. In the second, she helps a teenage cousin understand that his nation is no better than others, and that they all have to learn to live together on the recently established borders.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
