WilDart Film

The club as a place of endless (im)possibilities. A man and a woman wait here together for 25 years for a mysterious, all-changing event to occur. From 1979 to 2004: from disco to techno. A love story and an obsession.

An account of the life and work of the influential Austrian psychiatrist Sigmund Freud (1856-1939), an iconic figure and a godless demigod who dared to enter the darkest depths of the human mind; through his correspondence and his own voice, and that of his family and friends.

Pino Gambassi is a child suffering from haemophilia and is animated by an unbridled desire for freedom and boundless courage: he decides to start his adventure in the world and to show everyone that he can live his life like a normal kid.

Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.

Details the catastrophic effects globalization has wrought on the ship, truck and train industries. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. At a moment when collective bargaining rights are under attack in the United States, and China continues to bow to foreign pressures to prevent such rights from being granted at all, this film asks: Is capitalism the Trojan horse that turns on its inventors?

A young college student from rural Albania leaves school to visit home, only to find himself embroiled in his family's deadly blood feud.

Joseph is in his mid-sixties and has just lost his beloved wife. Everything in his big old mansion reminds him painfully of the years they spent together. One day several visitors turn up unexpectedly. They seem to be relatives of his deceased wife. In the beginning, the uninvited guests treat Joseph with loving care, but bit by bit the situation begins to change. The visitors slowly, almost unnoticably, become aggressive, even hostile, invaders. They try to get rid of Joseph and take over his house, his world, his thoughts. Is this just the paranoia of an old man or really a ruthless invasion?