The Despoiler

The Despoiler 1915

1

Movie mogul Thomas H. Ince may well have been the director of The Despoiler as indicated by the credits; but since Ince was known far and wide as a glory-hogger, it's also possible that one of his talented lieutenants wielded the megaphone. A Civil War drama, The Despoiler refuses to take sides, demonstrating that there are heroes and villains in both camps. Capturing a small town, Colonel Charles K. French orders his men to reclaim the funds raised for the enemy by the townsfolk. French's drunken, lacivious second-in-command Frank Keenan intends to extort money from the citizens by threatening the virtue of the town's female population.

1915

The Desert Man

The Desert Man 1917

1

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

1917

Hell's Hinges

Hell's Hinges 1916

6.00

When Reverend Robert Henley and his sister Faith arrive in the town of Hell's Hinges, saloon owner Silk Miller and his cohorts sense danger to their evil ways. They hire gunman Blaze Tracy to run the minister out of town. But Blaze finds something in Faith Henley that turns him around, and soon Silk Miller and his compadres have Blaze to deal with.

1916

Matrimony

Matrimony 1915

1

It all begins when Mrs. Rossmore (Dean) discovers that her husband (Howard Hickman) has begun "playing the field" with other women. Too much the lady to make an issue of Mr. Rossmore's infidelities, Mrs. Rossmore nonetheless begins plotting her strategy to win him back. She does so by putting on a great show of pretending not to want her husband to return to the nest.

1915

The Roughneck

The Roughneck 1915

1

Avis and Franklin Hilliard are the spoiled, overbearing children of a wealthy father who has just died. Lord Cecil Oakleigh, a fortune hunter, is Avis's fiancée, although there is no love between them, he marrying her for her fortune and she marrying him for his title. Mr. Hilliard has left the superintendent of his mine in full charge of his fortune.

1915

The Coward

The Coward 1915

5.70

Set during the American Civil War, Keenan stars as a Virginia colonel and Charles Ray as his weak-willed son. The son is forced, at gunpoint, by his father to enlist in the Confederate army. He is terrified by the war and deserts during a battle. The film focuses on the son's struggle to overcome his cowardice.

1915

The Eye of the Night

The Eye of the Night 1916

1

William H. Thompson plays a likeable old lighthouse keeper who must contend with his less likeable fellow villagers. One of Thompson's acts of kindness is to bless the "scandalous" romance between hero and heroine.

1916

The Dividend

The Dividend 1916

1

Wealthy John Steele has a handsome young son, Frank, on whom he pins his hopes. But riches lead Frank not into social standing and duty, but into depravity, drug-addiction, criminal activity, and finally to tragedy.

1916

Shell 43

Shell 43 1916

1

William Berner is an English spy who is doing his job behind German lines. While working for the allies, he proves sympathetic toward a German Lieutenant and saves his life. He gives up his own romance for the cause and is killed when the Allies shell the German trench where he happens to be.

1916

The Captive God

The Captive God 1916

5.00

A Spanish boy is shipwrecked and cast ashore in Mexico in the sixteenth century. He is raised as a god by the Tehuan tribe, who have never before seen a white man, and is named Chiapa. Then at manhood he rules the Tehuans. Chiapa loves the priestess Tecolote but she is kidnapped by the Aztec warrior Mexitli, so he follows in the hopes of rescuing her.

1916

Between Men

Between Men 1916

1

When Ashley Hampdon becomes the target of a scheme to ruin him by his daughter's suitor, Hampdon sends for his old friend Bob White. Bob discovers that the suitor, Gregg Lewiston, cannot hope to win Lina Hampdon while her father's wealth remains intact. Lewiston hopes that if her family becomes destitute, she will turn to him. But Bob White is there to upset the scheme.

1916

The Wolf Woman

The Wolf Woman 1916

1

An narcissistic woman with the ability to charm, Leila Aradella reaps delight from preying upon weak men. Her first victim is John Morton, a talented lawyer, whom she ruins both morally and financially. Her second victim, Rex Walden, the generous son of society matron Mrs. Walden, becomes her complete slave. Mrs. Walden sends her elder son Franklin to try to dissuade Leila from toying with Rex's affections. Franklin, however, also falls under Leila's spell, and Rex is driven to suicide by her callous behavior. Desperate, Mrs. Walden enlists Adele Harley, a girl of strong moral character, to fight Leila for Franklin's affections. Adele's determined victory causes Leila to lose her confidence, and in a drunken state, she cuts her own face with a shard from her shattered mirror. Permanently disfigured, Leila ends a broken and lonely woman.

1916

Peggy

Peggy 1916

1

The heroine, Peggy Cameron, is a high-society debutante with a mind of her own. After making a public spectacle of herself once too often, Peggy is bundled off to Scotland, where she is to be looked after by her no-nonsense uncle Andrew Cameron (William H. Thompson). If Peggy's family had hoped that she would straighten up and behave herself in Scotland, they were sorely mistaken. Restored in 2018 by the Academy Film Archive with restoration funding provided by the Louis B. Mayer Foundation.

1916

The Weaker Sex

The Weaker Sex 1917

1

Jack Harding, a wealthy ne'er-do-well, becomes involved with a Broadway vamp. When she is murdered, Jack is falsely accused of the crime and must turn for help to his lawyer--his wife.

1917

The Aryan

The Aryan 1916

5.50

Steve Denton, rich from years of prospecting, is fleeced by the citizens of Yellow Ridge. In his rage, he kidnaps the woman most responsible and makes her his slave in a desert hideaway.

1916

Princess of the Dark

Princess of the Dark 1917

1

James Herron, a consumptive, has built a shack in the hope that the mountain air may prolong his life. With him dwells his daughter, Fay, whom he idolizes. Fay, who has been blind from her birth, has a wonderful imagination, even the town and its sordid inhabitants become invested with romance and take their part in the stories of adventures that her father reads to her.

1917

The Invaders

The Invaders 1912

5.50

The U.S. Army and the Indians sign a peace treaty. However, a group of surveyors trespass on the Indians' land and violate the treaty. The army refuses to listen to the Indians' complaints, and the surveyors are killed by the Indians. A vicious Indian war ensues, culminating in an Indian attack on an army fort.

1912

The Death Mask

The Death Mask 1914

2.50

A Native American warrior travels to a faraway tribe to find and defend a woman that haunts his dreams.

1914

Back of the Man

Back of the Man 1917

1

Larry Thomas works as a minor employee in a large insurance company. He loves Ellen Horton, who has great faith in him. When Larry is falsely accused of murder, it is Ellen who saves the day. She also manages to help him achieve the position in the business he deserves.

1917

The Taking of Luke McVane

The Taking of Luke McVane 1915

5.70

Luke McVane (William S. Hart) shoots a card-cheat in self-defense and has to make a run for it before the town lynch him.

1915