Les Films 13

In an increasingly crazy world, Lino, who has decided to leave everything behind, will come to realise that, at the end of the day, everything that happens to us is for our own good!

They knew each other long ago: a man and a woman whose dazzling and unexpected romance captured in the now-iconic film revolutionized our understanding of love. Today, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father wasn’t able to cherish but whom he constantly revisits in his thoughts and dreams. Anne reunites with Jean-Louis and their story picks up where they left it…

A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that they have something deeply in common.

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.

In France during World War II, a poor and illiterate man, Henri Fortin, is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.

When they realize the times are changing, five crooks decide to switch from bank robberies to personality abductions.

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.

On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).

Released from prison under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes, but also by a very special someone he met there.

Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.

The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?

A composer and a French film star, both of whom are married to others, meet and fall in love while shooting a film in the United States.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

Imprisoned as an accessory to murder, Catherine gives birth to a son she conceived in prison. Eighteen years later, her sentence served, she is reunited with the boy, Simon, who has remained in an orphanage the entire time. She is accompanied by toothsome prison buddy Sarah, and gradually these people whose lives have been frozen in time "thaw" and get on with the business of living.

Before being judges, attorneys, or jury members, they are first of all men and women at a crossroads in their lives, with their dreams and their secrets, their hopes and their limitations, all beneath the same sun, each with their own dark side. In a lovely provincial town, during a jazz festival, life will juggle with their destinies.

Catherine and Marcello are secluded in their house, living under the candlelight. Unable to accept the injustice behind the loss of their nine-month-old baby, they face a slow but definite self-destruction.

A successful film composer falls in love when he travels to India to work on a Bollywood retelling of Romeo and Juliet.

How can moon and time affect human mood and fate? In the manner of a Greek tragedy , this movie shows how the chaos of life ineluctably propels its characters towards violence and alienation.

Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...