Knife+Heart 2018
In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.
In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.
Island of La Réunion, in the beginning of the 20th century. Five teenagers commit a savage crime. As punishment, a Dutch captain takes them to a supernatural island with luxuriant vegetation and bewitching powers.
Stranded along a sublime river fjord in northern Portugal, an ornithologist is subjected to a series of brutal and erotic Stations-of-the-Cross-style tests.
André Demester secretly and painfully loves Barbe, his childhood friend, accepting from her the little that she gives him. He leaves home to be a soldier in a war in a far off land. Barbarity, camaraderie and fear turn him into a warrior. As the seasons go by, Barbe, alone and wasting away, waits for the soldiers to return. Will Demester’s boundless love for Barbe save him?
Short lo-fi film set in Senegal. Mostly focussing on a group of Senegalese youths, discussing their hopes and fears concerning the crossing of the atlantic to get to Europe. Will life be easier there or not?
A young woman wandering around meets a young man going to a casting call for a pornographic film.
Gaspard is still very much in love with Leïla. They meet in a crowded bar a month after she left him. The conversation turns awry and Gaspard seeks refuge under the tablecloth, away from prying eyes and closer to his memories.
Wang Xilin, 86, is one of China's most important modern classical composers. During the Cultural Revolution he was the target of severe persecution, enduring beatings, imprisonment and torture. With excerpts from his Symphonies, he revisits for this film some of the horrifying events that still live on in his memory as testimony to an era that saw the dehumanization of the entire Chinese nation.
Two journeys take place in two different periods. One is a train journey across two continents. The other follows an old family photograph back to life during wartime. The rhythmic swaying of the train reveals a forgotten memory.
The mood is heated. Demonstrations are taking place across France, also in front of the Paris hotel where an Italian named Giorgio is booking the bridal suite for him and his boyfriend Antonio. Hotel manager Diana doesn’t trust them and calls the police to get rid of the odd couple. Italians? Homosexuals? Criminals? In the charged atmosphere of the Hotel Occidental, little is needed for initial suspicions to be aroused.
IVUL is the extraordinary story of Alex (Jacob Auzanneau), a young man who climbs on to the roof of his house and refuses to ever come back down to earth. His actions devastate his beloved family and we watch as their world falls apart. A dark and mysterious gardener (Tchili from This Filthy Earth) keeps watch over the family but is powerless to exorcise the curse that he feels has befallen them. Meanwhile the twin sisters (Manon and Capucine) provide light but sometimes macabre relief. The world of IVUL is a world of both fairytale and nightmare with the family manor house and forest landscape providing a compelling backdrop to the story.
A voyage into the far west of Brazil leads us to a monumental structure - petrified at the centre of the savannah. Inspired by the epic construction of the city of Brasília, the film uses this history to imagine it otherwise. "I look at Brasília the way I look at Rome : Brasília began with a final simplification of ruins". Through the geological traces that lead us to this fictive monument, the film unearths a history of exploration, prophecy and myth.
On January 21, 1975, in a village in the north of Portugal, a child writes to his parents who are in Angola to tell them how sad Portugal is. On July 13, 2011, in Milan, an old man remembers his first love. On May 6, 2012, in Paris, a man tells his baby daughter that he will never be a real father. During a wedding ceremony on September 3, 1977 in Leipzig, the bride battles against a Wagner opera that she can’t get out of her head. But where and when have these four poor devils begun searching for redemption?
A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.
A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.
Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.
The world is alive, but maybe without mirrors and images, none of it would exist. The blind create images in a different way – with sounds, textures and experiences. When you enter the rabbit hole, imagination plays the main part.
A man washes up on a beach. He saves a foreign woman and together they flee into nature. There they discover that the beauty of the environment only distracts from the growing threat. Behind the serene greenery hides death and destruction. Where did they end up? The present and past of the country merge imperceptibly into one another. This is a battle of all times, with the landscape as a silent witness.
Less and Less, Luc Moullet’s 40th film, concerns development and expansion, from 1968 to 2010, of the devices based on computers, automats, interactive terminals and others that can be found everywhere.