Una and an alien robot have 24 hours to find her Grandpa who was kidnapped by aliens. The extraordinary adventure leads to friendship, the rational robotic logic is replaced by emotions and Una's selfless love saves her partly alien family.
In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
Ivan, in his early forties, returns, after many years of absence to his native town - a typical Middle - European small town in Northern of Croatia. His roaming through Europe left him in a rather distraught state and he is now in search for his identity and peace of mind. As a child of five, he was, literary taken from his birth-place and now - bereft of his parents and family, he will try to solve the puzzling event of his childhood. Thus, in this place where so many unusual things have happened which may have had an influence on the dramatic destiny his family has suffered, he turns attention to himself by to his personal investigation. The town is, however, threatened by the river which already has sunk a good part of the cemetery. Along this threat an unexpected plot, in the genre of a film noir, thriller and horror - a certain «fantasy of soul», develops.
At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.
Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?
Janko, a police officer/veteran of the war, who is suffering from insomnia caused by post-traumatic stress disorder, now works as a guard in front of the Russian embassy in Zagreb. Having abandoned his former paramour, the daughter of his police chief, he marries a kleptomaniacal hairdresser named Nana, whom he once caught in the act of picking pockets. He then embarks on an affair with the beautiful Marta, the widow of the war profiteer Dragutin Karlo Stajner, who has left behind him a bankrupted firm, a worthless limousine, several bastards, and at least one angry woman. While Janko and Marta persistently try to divvy up what loot remains before any number of others can claim it, Karlo unexpectedly turns up alive and jumps into the middle of a fray between Marta; Karlo's lover, Julija, a Czech bar-singer; and Julija's husband Vlado, a former henchman of Karlo's who is now trying to lay claim to Stajner's limo.
Can the thread of bad luck, violence and suffering which is braided deeply into the generations of one family be broken? Beba's mother is a woman of poor health and weak character. Beba's father is sullen and violent. Beba's brother is possessive and problematic. Beba's boyfriend is from a correctional institution. Has Beba's daughter any chance to break this vicious circle, has she got any chance to become a beloved, happy person?
The film follows Ibro (Emir Hadžihafizbegović) and his son Armin (Armin Omerović), who travel from a small town in Bosnia to a film audition in Zagreb, hoping to land a part for Armin in a German film about the war in Bosnia. On their way to fulfilling the boy's dream, they encounter a series of disappointing setbacks — their bus to Zagreb breaks down and they are late for the audition. After Ibro convinces the director to give the boy a second chance, they soon realize that Armin is too old for the part anyway. As it becomes obvious that Armin's dream of playing a part in the movie will never happen, he feels increasingly disheartened, while Ibro's determination to help his son grows. Finally they do get another chance, but Armin buckles under the pressure and experiences an epileptic seizure. As they get ready to head back to Bosnia, the film crew makes an unexpected offer, but when Ibro refuses, Armin at last realizes how much his father really loves him.
This film is based on the true story about Jovan Stanisavljevic alias Charuga, the bandit who became a legend in post-WW1 Slavonia, Croatia.
Follows the life of general Ante Gotovina.
The story follows a group of Croatian refugees who have been forced to leave their hometown of Vukovar by Serbian forces during Croatia's struggle for independence. The people are settled at a railway station in a village near Vukovar, where they live in a train which is adapted to serve as a temporary accommodation.The situation grows dim as the date of their return proves to be uncertain, and the lives of the survivors and refugees becomes more and more complicated being burdened by PTSP and strong feelings of hope to return to their homestead.
A young man flees to the United States searching for the American dream.
A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.
Keka is a virtuoso housewife who suffers because of the lethargy of her marriage with Baja, a concerned railway worker. To make things even worse, Keka is being seriously courted by Ilija, a handyman who is so clumsy that he produces apocalypse wherever he shows up. After Baja finally becomes aware of Ilija's intentions and after the two of them demolish Keka's home as a result of their clumsy showdowns, Keka decides to leave both of them and to go on a trip to the only place where she felt some happiness - to a small coastal village where she and Baja went on their honeymoon... However, things start to complicate because Keka falls under the scrutiny of Lujo, an untypical lonely fisherman-flirter. Baja and Ilija decide to go on a trip, to embark on the biggest adventure in their lives and to prove their love to Keka...
A panoramic view over society across ten unfortunate characters whose stories sometimes intertwine.
A godforsaken mountain village is the only home that a young football player, a miser peasant and a fat girl have. This isolated part of the country finds itself in the middle of the referendum for or against the EU. Our characters couldn't care less - they are absorbed in their problems. The young football player who accidentally killed his mother doesn't want to join a rich foreign football team and is willing to risk his father's love because of it. The lonely fat girl is so desperate for a friend and for a lover that she will end up seeking both in the pig-sty. The miser peasant will find out that the real misery is in loneliness.
It is the mid 17th century. The Jesuits spread their influence in Central Europe. Maria, a young Countess lives in the castle. Father Had is a honest and ardent servant of the Society of Jesus. He is dedicated to his life's mission, and as such he is an ideal tool in the hands of his superiors, who have their own plans. Had becomes Maria's confessor. Her woman's charm, intelligence and energy, as well as her beauty, are a constant temptation to him. Jesuits are making pressure on Had to finally realize their plans. Will the Jesuits, at last, achieve their goals and take the castle?
A disillusioned opera star, a lonely pastry chef, and a divorced Don Juan with an amorous history offstage make for choice ingredients in this poignant romantic tale spiced with Christmas cookies, borscht, and an alarming quantity of deadly insecticide. Director Tribuson demonstrates a deft talent for juggling comic romantic disasters from a woman’s point of view as her characters negotiate the bamboozling ways of love. Middle-aged Verica (acclaimed actress Marinković) pours her heart into her café’s pastries, but she can’t seem to find a like-minded lover until a duplicitous handyman with pheromones to spare and an eye for the ladies sets off a chain of unforeseen adventures all tied together by one fateful plate of tasty treats.
Ivan is a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian Homeland War. His father, Izidor, was a well-known political prisoner in the former Yugoslavia, and is now standing as an independent candidate for the Croatian Parliament. Then a face from the past re-appears: an impoverished Serbian refugee called Simo, who has recently returned to the town. As an ex-communist official, Simo imprisoned Izidor decades ago. He knows certain facts about Izidor that could destroy his reputation and wreck his political campaign. Simo demands money, in return for his silence and he also has a secret rendezvous with Ivan's mother, Ana. Soon a long-buried secret surfaces once more - with huge repercussions for Ivan. He starts to provoke hard-line Croatians by singing Serbian nationalistic songs, daring them to kill him.
