Roots 2018
Collection of six very personal documentary shorts made by female directors.
Collection of six very personal documentary shorts made by female directors.
The story of human error. Every time he goes to bed and turns off the light, he remembers something urgent: the toilet seat is not lowered, the Slippers are not parallel, the tap water is dripping… Unfortunately, the small house where all this happens is on the beach. How does it look at night from the sea? Yes, disaster is inevitable.
In his own way, Anatoli Ljutuk is a legend of Tallinn's Old Town - a man from Western Ukraine who has built a unique world on Laboratory Street, the main core of which is the Ukrainian Cultural Center and Church. There, he engages in calligraphy, makes paper in a medieval way, carves traditional wooden toys in his workshop and makes books in the spirit of old monasteries. According to the oath taken a quarter of a century ago, he has promised to create something good every day. His daily commitment is challenged by the war that broke out in Ukraine, which Anatoly cannot passively ignore.
The director's parents Tiina and Ülo have saved more stuff in their home throughout the years than they have space to live. Useless piles of clothes, old newspapers and dishes block the way to the dinner table or bed. This is a story about a love for things and the difficulty of letting go of them.
A story of a mother and her son and a race against a tortoise where you always lose.
The prospect isn't good: situation seems like jail, porridge bowl bottomless and time is running out. An unexpected discovery changes it all though.
Sewing Machine is a film about the town of Pechory (Petseri) and its people, told through the life story of my great-grandmother. My great-grandmother’s father, who was the deputy mayor of Pechory, was killed by the Bolsheviks because he refused to give the keys to the town monastery to the revolutionaries. A few months later, the armored trains of the Estonian War of Independence reached Pechory, and the town was liberated. One of the soldiers of the armored train, a Danish volunteer, had a film camera with him, and he recorded the oldest film footage of Pechory, and somewhere on that film is also my great-grandmother.