This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.
A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.
A tragi-comic boat movie in which Beauty and The Beast live out their own particular fairytales.
A series of non-dramatic tableaux representing scenes from De Sade's novel.
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire. His loaded gun is left pointing precariously at him and he is faced with imminent death.
An elegant film about one man's fears and fantasies regarding HIV testing.
The idyllic, rural past of a Suffolk village comes to life through the memories of an old man who tends a country graveyard.
A rich and challenging account of the experiences of a German Jewish musician who settled in Britain to escape Nazi persecution. Two of his friends are being sued by a former SS Kommandant, who denies their accusation that he was responsible for the genocide of 300 Belgians. Documentary interviews and archive footage merge with dramatised scenes to create a new way of representing history and memory.
Unemployed Anthony announces he is joining the police, much to the horror of his girlfriend and friends.
Song tells the story of the women who worked in Victorian London's clothing sweatshops, eschewing a conventional narrative in favour of a series of still photographs and acted reconstructions to show that this story has been rewritten/written-over many times before.
Anna follows her absent Mother on her nightly ritual, as she walks round the family house, turning the house lamps on one by one. In the course of the lamp walk, Anna talks about being afraid of the dark and of the secrets that all families and lovers keep from one another.
A girl takes her camera along to a rocky beach, but quickly becomes fascinated with a far stranger mechanical contraption that she finds there.
In a hugely entertaining parody of her media persona, a pre-'Female Eunuch' Germaine Greer stars as a terrifyingly amorous woman who alternately cajoles, pursues and assaults a mild little man with cries of "Darling, do you love me?" until he succumbs to her strangling hands.
Inspired by Virginia Woolf, a young writer worries that marriage will hinder her literary ambitions. The film includes extracts from Virginia Woolf's novel To the Lighthouse and her essay Professions for Women, both read by feminist filmmaker and theorist Laura Mulvey.
An elderly man takes a hypnotic journey through his memories in the moments before his death.
Animated retelling of the story of Noah's Ark by political cartoonist Abu.
A young man (Aidan Gillan) arrives in the midst of London's Soho. He's from Belfast, he's anxious and he looks like he's running away from something. Then, by chance, he meets Grace, a prostitute who happens to come from Belfast too. A connection is made and, for a brief time, she seems to offer the chance of a new future.
Captures a moment in 1970s Britain's immigration debate, focusing on new arrivals at Heathrow as they wrestle with immigration law.
“Film questions whether the encouragement of very low paid jobs and schemes - both in general and specifically how they function in the area affected by the closure of the Consett steelworks in 1980 - is a sufficiently visionary response to the question of survival in post-industrial Britain. Local people talk about their experiences, an escapologist performs and a drag act sings. Plus drama sequence in which Bill tells Rose that making a fortune is easy.” - BFI.
A young woman enacts an imaginative revenge on her boyfriend for playing away. Director Chris Petit made this three-minute short to test a new super 16mm Kodak film stock to be used on Peter Greenaway’s upcoming feature The Draughtsman’s Contract.
