Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there...
An Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.
The ruthless gangsters of New York and the rough cowboys of the dusty prairie; the magic of cinema and the rich sound of a symphony orchestra. The Danish National Symphony Orchestra, conducted by Sarah Hicks, performs masterful pieces by legendary film composer Ennio Morricone, accompanied by Sonny Bono, Bernard Herrmann and Nino Rota.
A drug-addicted doctor who works in an asylum discovers that one of his patients is a gifted writer.
A triumph of remembrance, wrote Die Welt following this stirring concert given by the Berliner Philharmoniker under Seiji Ozawa and with Anne-Sophie Mutter as soloist. It left its audience hovering between hushed reverence and deafening exultation. The Golden Hall of Vienna's Musikverein was the dazzling venue for the live recording of this concert celebrating the 100th birthday of Herbert von Karajan. And there Karajan s Berliner never sounded better, evoking a time which selfconfidently sought the private and subjective in music, and believed it could find them in the mirror of the works (Frankfurter Allgemeine Zeitung). It is a concert that commemorates Herbert von Karajan for the ages in a supremely moving manner. Beethoven: Violin Concerto, Tchaikovsky: Symphony No. 6, Bach: Sarabande,br. Seiji Ozawa, Anne-Sophie Mutter
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1998 concert was conducted by Claudio Abbado and featured Marcelo Álvarez (tenor), Mirella Freni (soprano), Simon Keenlyside (baritone), Christine Schäfer (soprano) performing: Wolfgang Amadeus Mozart: Le nozze di Figaro (Excerpts), Wolfgang Amadeus Mozart: Don Giovanni (Excerpts), Georges Bizet: L'Arlésienne (Excerpts), Gioachino Rossini: La gazza ladra: Overture, Giuseppe Verdi: Rigoletto (Excerpts), Giuseppe Verdi: Un ballo in maschera (Excerpts), Hector Berlioz: Le Carnaval Romain, Piotr Ilyich Tchaikovsky: Eugene Onegin (Excerpts), Giuseppe Verdi: La Traviata (Excerpts).
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1999 concert was conducted by Claudio Abbado and featured Klaus Maria Brandauer, Rias Kammerchor, and Rundfunkchor Berlin. On the programme: Ludwig van Beethoven: Symphony No. 7 in A major, op. 92, Allegro con brio, Antonín Dvořák: Symphony No. 8 in G major, op. 88, Allegro ma non troppo, Gustav Mahler: Symphony No. 5, Rondo, Finale, Igor Stravinsky: Firebird (parts), Maurice Ravel: Daphnis et Chloé, Danse générale, Sergei Prokofiev: Alexander Nevsky, op. 78, Alexander's entry into Pskov, Arnold Schönberg: Gurre-Lieder (Excerpts), Paul Lincke: Folies Bergères, March, Paul Lincke: Brandbrief-Galopp, Otto Nicolai: The Merry Wives Of Windsor Overture, Walter Kollo: Solang noch unter'n Linden.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2018 concert was conducted by Daniel Barenboim. On the programme: Wolfgang Amadeus Mozart: Concerto for Piano and Orchestra No. 26 in D major, K. 537 „Coronation”, Maurice Ravel: Rapsodie espagnole, Alborada del gracioso, Pavane pour une infante défunte, Boléro, George Bizet: Carmen-Suite No. 1.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2000 concert was conducted by Claudio Abbado and featured Andrea Rost (soprano), Alan Titus (baritone), Ramón Vargas (tenor), and the Prague Radio Choir. On the programme: Giuseppe Verdi: Un ballo in maschera (Excerpts), Don Carlos (Excerpts), Rigoletto (Excerpts), La Traviata (Excerpts), Falstaff (Excerpts), Johann Strauss: Maskenfest – Quadrille.
In this Baden-Baden concert, Simon Rattle presents a sonorous snapshot of the European music scene in the early 20th century. It includes Richard Strauss’s self-confidently impressive Don Juan, sumptuous songs by Alban Berg, Ravel’s overwhelmingly sensual song cycle Shéhérazade and finally Stravinsky’s both groundbreaking and nostalgic Petrushka. The star guest is the Latvian mezzosoprano Elina Garanca.
In 1997, Oscar-winning documentarian Allan Miller embarked on a film project with renowned conductor Zubin Mehta and celebrated Chinese film director Zhang Yimou as they joined forces in a production of Puccini's opera Turandot in Florence. Before the year was out, an extraordinary opportunity arose: to stage Turandot in its original setting in the Forbidden City of Beijing. The outdoor production was an undertaking on an epic scale. A fascinating chronicle of an unprecedented cross-cultural collaboration, THE TURANDOT PROJECT combines the pageantry of this opulent opera production with a spectacular cinematic portrait of the struggles and triumphs of Zubin Mehta and Zhang Yimou to mount their production in this most historic venue of China. (Source: Amazon.com)
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2009 concert was conducted by Simon Rattle and featured Lang Lang (piano). On the programme: Sergej Rachmaninov: Piano Concerto No. 2, Op. 18, Frédéric Chopin: Etude, Op. 25, No. 1, Pyotr Tchaikovsky: “The Nutcracker”, op. 71.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2007 concert was conducted by Simon Rattle. On the programme: Alexander Borodin: Polovtsian Dances from the Opera "Prince Igor", Symphony No. 2 in B Minor, Modest Mussorgsky: Introduction to the opera "Khovantchina", Pictures at an Exhibition, Dmitri Shostakovich: Dance from “The Golden Age“, Ballet Suite, Op. 22.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2001 concert was conducted by Daniel Barenboim. On the programme: Bach: Orchestra Suite in D major, Mozart: Divertimento K. 334, Menuett; Rondo for Piano and Orchestra, K. 382, Verdi: “Aida” (Excerpts), Dvorák: Slavonic Dance, Tchaikovsky: “The Nutcracker”, Waltz of the Flowers, Sibelius: Valse Triste, Strauss: Kaiserwalzer, Op. 437, Kodály: Dances of Galanta, Strauss: Unter Donner und Blitz, Op. 324, José Carli: El firulete, Brahms: Hungarian Dance No. 1.
Claudio Abbado conducts the prestigious Berliner Philharmonikerfor during a concert dedicated to Beethoven. The programme includes the Piano Concerto No. 2 in B-flat major, Op. 19 with the Russian pianist Mikhail Pletnev whose dazzling technique adding to a delicate sensitivity merges instinct and intellectual rigour, and the Symphony No. 9 in D minor, Op. 125.
The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. The ballet Ghost Light by John Neumeier deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories, and emotions experienced during the pandemic.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2010 concert was conducted by Gustavo Dudamel and featured Elīna Garanča (mezzo-soprano). On the programme: Hector Berlioz: La Carnaval romain, Op. 9; La Damnation de Faust “D’amour l’ardente flamme”, Camille Saint-Saëns: Samson et Dalila (Excerpts), Georges Bizet: Carmen (Excerpts), Manuel de Falla: El sombrero de tres picos, Ruperto Chapi: Las hijas del Zebedeo, Manuel de Falla: La vida breve, Agustin Lara: Granada.
