The story of Jesus Christ, from the proclamation of His Nativity to His Ascension into heaven. Impressive staging and beautiful hand-coloring distinguish the film from its Passion-play counterparts; Its scale and dynamic crowds prelude the Italian epics to come.
The story of two men, one married, the other the lover of the other's wife, who meet in the trenches of the First World War, and how their tale becomes a microcosm for the horrors of war.
The Devil is bored. He goes back to Earth with a magic elevator. He surprises two sewer workers, disguises himself as a city man, and spreads improbable events: quarrel with a coachman, altercation with a city sergeant, mystification of a barman, quiproquo with couples… He's trapped in a cage with a young woman, and goes down to hell. Surprise, the young woman is Madame Devil who was disguised by jealousy.
A convicted criminal dreams about his past the night before his execution.
Pathé film number 380, also known as "What Happened to the Inquisitive Janitor" (US) and "Peeping Tom" (UK). It should not be confused with its remake from 1905 also titled What is Seen Through a Keyhole, a film now considered lost. As a janitor is cleaning a hotel, he decides to peek through the keyholes to observe some of the guests in their rooms. In room 8, a woman is busy making herself look more attractive, and the janitor enjoys watching her. There are also some interesting things going on in the other rooms on the floor.
A pig dressed in fancy clothes flirts with a pretty girl, but she humiliates him and tears off his suit; she then makes him dance for her affections.
A group of travellers go into a house for protection. Little do they know, it is filled with ghosts who make unusual things happen to them.
A moon-woman shakes a Pierot costume and manifests a Pierot clown. She does this four more until there are five Pierots crowded on the ledge of the moon. They fall to the earth and dance like tops turning one by one into Columbine maidens.
The film portrays the events on the day King Henri III of France arranged for Duke Henri de Guise to be murdered.
An enthusiastic young couple is astounded with modern technology's giant leaps in the fascinating field of electricity.
Strangely hypnotic short from Émile Cohl featuring the usual seamless transformations, this time of a series of grotesque faces.
A man who no longer can afford his rent is forced to sell his beloved furniture. The furniture can not bear to be parted from their owner and decides to return home. Often confused with Bosetti's film Le Garde meuble automatique (1912).
A happy family is brought to ruin when the father starts drinking.
Johanna loves poor farmer Joachim, yet marries the wealthy miller. One day, Joachim visits Johanna when he is away. When the miller finds out, he takes revenge.
Three young children set up a table, and on the table is placed a miniature stage. The stage curtain opens, a carpet appears, and then the carpet unrolls by itself. Two puppet figures then come out and begin to perform a series of routines.
“The barbaric negro inhabitants of an African village are shown in their various forms of activity, the first view being a photograph of a number of children of all sizes, shapes and degrees of African beauty. Following this is a match between two giant negro wrestlers, who first fence with slicks and then grapple with each other. The start of a caravan is next pictured, the handling of the huge camels being well demonstrated. A British courier next comes into view and the African, presumably sheiks, attack him. A short sham fight takes place, and he escapes. Now a religious procession of natives is shown, with their tom-toms and curious devices for making curious music. The last is a photo of a comical looking African infant playing with a kitten.” (Moving Picture World)
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.
Max, awakening on his wedding morning, discovers that it is close on the hour when he should be at the church. He dresses hastily, and in struggling with a refractory collar, allows his boots to be burnt by the fire. There is no time to change them, and he hastens off to the bride's house. On the way his soles part company with their uppers, and poor Max enters into negotiations with a passing labourer for the purchase of his footgear.
A pregnant woman steals things from others on account of her cravings.
