G. Méliès

Bob Ford, a young college graduate and a man-about-town, self-willed and wild, who tries his father's patience and generosity by going the limit, is called to a sudden halt by the old gentleman and sent out west with his valet to work on Jones' ranch in Texas and prove to his father that he is not a hopeless renegade. Bob arrives in Texas with his valet, whom he tells to take his place and pretend that he is Bob while he, Bob, will pretend to be the valet. Mr. Jones has a very pretty daughter, Flora, for whom her father feels some anxiety about coming in contact with a young city fellow, college bred like Bob, fearing that she will fall in love with him.

The cowboys and gamblers of Curzon are very much interested in a placard which appears one day in the saloon, giving the information that the Rev. A.B. Cole is due to arrive from Glue Gulch, and that services will be held in the schoolhouse. The cowboys plan to give the preacher a warm reception, but are surprised and chagrined when the new minister turns out to be a pretty woman. The immediately apologize and agree that religion must be a good thing if taught by such a charming woman. The attendance at the schoolhouse is large, and the barroom is almost deserted. The bartender is in despair and is on the point of closing out his business. He is urged against this, however, by one steady patron, Joe Lane, who tries his best to bring the deserters back into camp.

Braggs, the young western settler, comes into view leading his broncho while he leads his little child on the horse's back. Placing the child on the ground and watering the pony, he takes his knife from his pocket to make an extra hole in the saddle strap. The knife slips and penetrates his wrist, severing an artery. His wife comes to his assistance, makes a tourniquet with strips of her apron, jumps on the broncho's back, bids her husband to care for the child and keep up courage while she rides to town for the doctor.

When our picture opens, Joe Flynn, a rider in the service of the government, has been shot from ambush by a masked man and is dying. Grouped at his bedside are his son Jack, a sturdy young man, the local doctor and the county sheriff. The old man dies and a week later we see Jack delivering the mail. The sheriff has inserted the description of the murderer in the Yuma Gulch Herald, and the country is being scoured to find him. Jack has a long and perilous ride between the two points of his route and is frequently beset with danger. Steve Benson, a desperado, who has killed old man Flynn, is living unhappily with his wife in hourly fear of having his crime discovered.

A lost silent film depicting the battle of the Alamo. Filmed in San Antonio.

Mary lived with her mother at the XX ranch, which was on the Rio Grande, just across from Mexico, and, as there was a ford there, it was easy for persons to cross from either side. One day, while riding on the Mexican side, she heard screams of distress and came upon Juanita, a beautiful Mexican girl, who had been insulted by Jose, a bad man of that vicinity, who commanded a band of guerrillas, who plundered and stole under the guise of insurrectos.

Nellie and her father are from Boston, but every winter they visit San Antonio for the old man's rheumatism. Nellie is very fond of ranch life and it is her custom to spend part of the time at the Bar X, which is close by, while her father is undergoing all the delights of being "Boiled out" in the sulfur baths. Nellie meets all "the boys" and is particularly impressed with Jim Edwards, who constitutes himself her guide at the ranch. One day a horse runs away with her, and Jim neatly ropes it and thereby saves her life and wins her love.

Rawhide, Arizona, was certainly some tough town when Reverend Simpson first blew in from civilization and started his campaign of redemption. From Alkali Ike to Shorty Smith, not a man of them had seen the inside of a church in fourteen years; there has never been a sermon preached in the county, and the only hymns that had ever been heard were those of the coyotes. The Rev. Simpson soon set up the "Rawhide Mission," but in spite of the hot weather, the result was a heavy frost. Nobody came even as far as the door, except Black Mike, who was drunk and who thought he was at the XXX saloon. The worthy pastor pleaded, prayed and billed the town without result.

John Burton, a railroad clerk from the east, was spending his vacation hunting in the wild lands about John Walsh's shack. One morning, as he was eagerly following a large hawk, which he had already wounded, he lost his balance on the edge of a cliff and plunged down to the stony ground below. His cries for help attracted Walsh's attention and he was taken to the latter's cabin, where he was tenderly cared for by Walsh and his wife, until he was able to return to his duties in the east. Walsh's wife was the apple of his eye, but, like most things that we love, she did not last, and twenty years later we find him a broken old man, living in the days that are gone.

A Navajo Indian has crossed the great desert, and his water bottle has been emptied. He is in a frenzy from thirst and sees mirages of water everywhere. He comes upon Nat Perry, a young settler, who is conveying his household goods across the burning sands. Perry has just taken a drink from his precious canteen when the Indian falls at his feet and implores a little water. The young pioneer heartlessly turns him over with his foot and leaves him to die.

The stage appeals very strongly to the child of temperamental nature and often it dreams of the glory and fame attending success. Little Alice is a child of this kind and although she is surrounded by the most meager, even poor circumstances she has a great desire to be an actress. Her mother, who takes in washing, sends the little girl to deliver a large basket of clothes. Struggling along the street she stops at the theater to look at a display of photographs of actors and actresses who are appearing there. She loses herself in reverie; while thus engaged the leading lady, whose picture particularly attracts the child's attention, arrives for rehearsal. She speaks to Alice, becomes interested in her and gives her two tickets for the afternoon performance. Pleased and delighted with the gifts she rushes home to her mother who takes the tickets from her, scolds and whips her for not attending to her errand.

Dick, an easterner, comes west to try his luck at mining. No sooner does he arrive than Hartley, the local gambler and all-around villain, commences to make sport at his expense. Dick endeavors to bear it patiently, but a clash is inevitable, until the arrival at the village store of Mary Brown, one whom all held in respect, excepting Hartley.

John Stuart, a young business man of the east, comes to San Antonio to locate for the good of his health. While walking about the city he sees an old padre, or priest, fall from sunstroke. Young Stuart runs to his assistance. At the same time, Marion, a young heiress, is passing in her automobile and stops to lend aid to the stricken man. They lift him into the auto and young Stuart is invited to ride with them to the Mission, where the priest lives. Thus an acquaintance is formed which ripens into an engagement between Marion and John Stuart.

Bill Sanders, sheriff of Alkali County, gets a warrant for Red Rube, the tough. He gives it to his deputies to serve, but Rube gets busy with the strong arm and makes them look like monkeys. When several installments of deputies have failed, Bill Sanders gets on the job himself. Bill not only knows how to juggle the 44 Colts, but he keeps gray matter in his skull. In going after Red Rube, he decides to rely on his brains instead of his hardware. He disguises himself as a tenderfoot, arms himself with a camera, and gets on Rube's trail. Things are warm and lively thereafter, but Sanders gets his man, and the honor of Alkali County is preserved.

A short silent film produced by Gaston Mèliès in San Antonio.

Tony Valero, a lusty young vaquero, is enamored of Clarita Montes, whose father is fairly well off, as the middle class Mexicans figure. Clarita prefers Tony to her numerous admirers, but the father has selected, for his future son-in-law, a young dandy called Jose Rodreguis, who has a certain amount of money which allows him more ease than his neighbors. Jose trades upon this fact and presses his attentions upon Clarita. He bitterly resents her preference for Tony and does all in his power to belittle his rival.

A short silent film produced by Gaston Mèliès in San Antonio.

Padre Dominguis, the village priest of a quiet little spot in old Mexico, has been on a visit to the daughter of his dead sister and is about to return to his charges. He is much surprised and more than a little pleased to find that his niece is in love with John Brown, a progressive American, who has settled among them, for the Padre is a broad-minded man and knows that Mexico needs the influx of American energy to make her a great country.

He has fought his last fight and the prize-ring will know the old pugilist no more. Knocked out by an organic disease, he is in a bad way not only physically but financially. He has an interesting daughter, a bright boy and a good wife who are well thought of by the people of the neighborhood in which they live, among whom is a young minister. The doctor who attends the old boxer sees that nothing but a complete change to some warmer climate will benefit the patient and also recognizes that under the circumstances the change would be impossible unless someone comes to his assistance with the necessary money to defray the expense. The physician writes a note to the young clergyman telling him of his diagnosis of the case and his conclusions. The young divine hastens to see the sick man.

The punchers of the XL outfit are wild with joy, 'cause Mary, the idol of the ranch, is comin' home from college. Billy James is Mary's special friend, and goes to bring her from the station, but, suffering snakes! Look what's traveling with her, his nobs, "Sir Percy Granville," who owns the nearby ranch. This gets Bill's goat for a time, but Mary rides and "ropes" with the punchers, and soon shows them she is the same genuine, good-hearted Mary, and doesn't care a whoop for Sir Percy. Sir Percy insists on sticking around, however, and shows his true nature by striking Mary's younger brother, Bobby, when he defends his sister from insult.