Carmen is a gypsy teenager, destined to live a life that is repeated every generation: getting married and raising as many children as possible. But one day she meets Lola, an uncommon gypsy who dreams about going to university, does graffiti and is very different. Carmen quickly develops a complicity with Lola and discovers a world that, inevitably, leads them to be rejected by their families.
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
A conversation about the work of Spanish filmmaker Luis García Berlanga (1921-2010) and his perdurance in contemporary Spanish cinema.
Alicia wants to record her father's birthday. The camcorder inadvertently catches him crying, and in anger, he tears up the videotape. By destroying it, he disappears from reality. Alicia, her sister, and her mother have to cooperate by reconstructing the tape to bring him back, exposing a major wound in their relationship.
It's summer. A girl goes into the sea, looks back and smiles at her friend, who is recording an Instagram story. On the same beach, a fully clothed woman looks around not knowing what to do and decides to leave. A webcam records her movements. This is a film that, through personal stories, delves into the issues of self-perception, fear and the relationship with our body.
Lucía just moved to a new appartment in the suburbs of Madrid, there she will try to start over, until she receives a very particular visit...
For some time now, Inma has felt something strange when she is with Manuel, when she sees him open a beer, when he picks up his guitar, when a song plays... One given night, Inma thinks about changing this situation when she looks back. Remembering the moment in which he met Manuel and wanted to be by his side.
When 10-year-old Nemo's mother suddenly dies, the boy is forced to go live with his maternal uncle's family. They are cordial and treat him well, but his 12-year-old cousin, Iván, begins to tease and tell him stories about the Bogeyman and how he'll come and get him if he doesn't behave. At first young Nemo doesn't believe the stories, insisting that Iván is just making things up...
It's a journey in a dead place, the need of finding a home. Get trough the grief to understand it.
In a militarized, post-apocalyptic world, ravaged by an infection that turns people into beasts, one child defies all obstacles to find his mother. He has one question to ask in the midst of all this doom: does she still remember him?
The world evolves thanks to ambitious people who have a goal. That is the reason, Toni thinks, why human beings were born, and anyone with a conformist attitude does not deserve to live.
When time seems suspended, young people meet in the forest
Miguel arrives at his grandmother's house to celebrate Christmas with his family, ready to face another night of reproaches. But this year is even worse; they want Miguel to join the family business, sacrificing his own dreams. Will Miguel be able to stand his ground, or will he end up succumbing to his family's wishes?
Ramon takes care of the cemetery. He spends his life among those who have none. His routine is disrupted when he meets Sole, the florist who has come to take charge of the stand on All Saints' Day. With the excuse of buying flowers, Ramón comes again and again to see her, without realizing that something is changing in the cemetery and also in him.
Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.
