Wajda Studio

A bridegroom is possessed by an unquiet spirit in the midst of his own wedding celebration, in this clever take on the Jewish legend of the dybbuk.

Ada is an American journalist of Polish origin. She has just moved to Hamburg with her partner and is struggling to find her way in the new reality. One day, a mysterious package arrives at the editorial office where she works.

Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.

The film is inspired by the real events – the story of Kati Andreevoj and Daria Chultsova – the two journalists from TV Belsat, an independent station broadcasting from Poland and their arrest by the Belarusian police in Minsk.

In Kyiv, the war still seems inconceivable, but the pandemic forces a mother and her daughter to spend the lockdown in their shared apartment. The mother is a piano teacher who keeps giving lessons on the phone, on her kitchen table, with the same passion and perfectionism. Her daughter has an art studio at the other end of the apartment, yet she has swapped her paintbrushes for a camera. Ptitsa: a bird, in Russian, like those who brave winter on snow-covered windowsills.

The beginning of 1945, Poland. In a newly liberated country, the Communist Security Service is annihilating its enemies under the guise of punishing "national traitors." They organize a labor camp for Germans, Silesians and Poles, on the site of a former Nazi concentration camp called Zgoda / Reconciliation. Franek, who is in love with the Polish prisoner Anna, goes to work as a warder in the camp to save her. He does not know that one of the prisoners - Erwin, his German friend, also loved this girl for a long time. Franek joins the communists in the illusory hope of outsmarting the system.

A storm causes damage to a bridge that connects the world of the living with the world of the dead. For this reason, the information about Maria’s own death reaches her with delay.

The children of acclaimed alpinists who lost their lives on K2 are taken on an expedition to the Himalayan mountains to face their parents' fatal destiny.

When adults are ineffectual, children have to grow up quickly. Ola is 14 and she takes care of her dysfunctional father, autistic brother and a mother who lives apart from them and is mainly heard the phone. Most of all she wants to reunite a family that simply doesn’t work — like a defective TV set. She lives in the hope of bringing her mother back home. Her 13 year old brother Nikodem’s Holy Communion is a pretext for the family to meet up. Ola is entirely responsible for preparing the perfect family celebration. “Communion” reveals the beauty of the rejected, the strength of the weak and the need for change when change seems impossible. This crash course in growing up teaches us that failure is not final. Especially when love is in question.

A dynamic and full of punk energy story based on life of one of the most original and interesting contemporary artist, the performer, Oskar Dawicki (playing himself). The main theme of his art is the search for an answer to the question of whether. Oskar Dawicki exists at all. The trade mark of his performances is his blue shining jacket.

Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.

Is there a recipe for a successful relationship? Can love stand the test of time? Three couples, differing in age, seniority and experience, reveal their fears and dreams about living together in front of the camera. Dorota Proba approaches her characters with great sensitivity, and they reciprocate with her complete honesty. The result is a very intimate, warm film that is full of difficult questions, surprising answers, great emotions and humor. Like in life.

A young scientist Anna Waterman is kidnapped after making a scientific breakthrough in a research project.

Christmas is approaching. A teenager from a Warsaw block of flats is looking for the right place for himself.

After a particularly embarrassing performance, a struggling Polish actor chooses to quit his acting troupe. In desperation, he returns home, only to find his dying mother has replaced him with a farm hand from a nearby mental institution. Alienated and depressed, he attempts to find his place in the world by driving out his replacement as completely as possible.

Mishka is a boy of many faces – a petty criminal and a promising alpine skier who enjoys life to its fullest despite his physical disability and difficult living conditions. He is captured at a key moment when he enters adulthood and receives the last opportunity to take part in the Paralympics.

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.

Aaron is an Israeli singer who comes to Poland for a guest performance in a provincial theater. The artist is warmly welcomed by the management and the theater team. During one of the rehearsals, Aaron spots backstage what he thinks looks like Adolf Hitler. Attempts are stopped and the hosts are accused of anti-Semitism. A chain of absurd situations follows, and the revealed prejudices lead to an escalation of the conflict.

A hidden photograph found by Adam, in which his pregnant mother embraces a strange man, makes the 16-year-old suspect that his father may not be his biological parent. Adam runs away from home to find out the truth. He not only solves his mystery, but also finds a friend in the person of Przemek, who is two years older, and meets his first love, which may destroy that friendship.

One who doesn't have roots won't be able to grow wings-a documentary project about a man tracking his origins to the Middle East and establishing a connection with his father, whom he have never met before.