Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.
A prison drama where an old mobster and a prison guard must find a way to coexist so that imprisonment can become less so, and perhaps reveal the paradox that is behind the very concept of captivity.
The story of a middle-aged bookshop owner, who becomes embroiled in a surreal swirl of romance and family secrets of infidelity, her energy levels registering in bursts of electrical interference - causing lightbulbs, traffic lights, toasters and computers to spontaneously spark and malfunction.
As if in a dream, a young girl recounts the story of Orpheus and Eurydice and the questions raised by the myth. Heartsick from suffering, Orpheus descends into the Underworld to bring his beloved Eurydice who has just died from a snake bite back. The magnificent music played by Orpheus convinces Hades, the god of the Underworld, to free Eurydice, but on one condition : on his way back to Earth, Orpheus must not look back at Eurydice. On finally arriving at the gates of the Underworld, already catching glimpses of trees and bushes, Orpheus looks back. Eurydice disappears forever into darkness.
In West Africa during the late 17th century, King Adanggaman leads a war against his neighboring tribes, ordering his soldiers to torch enemy villages, kill the elderly and capture the healthy tribesmen to sell to the European slave traders. When his village falls prey to one of Adanggaman's attacks, Ossei manages to escape, but his family is murdered except for his captured mother. Chasing after the soldiers in an effort to free her, Ossei is befriended by a fierce warrior named Naka.
Suffering from agoraphobia, Seconda is unable to leave her house. When she finally succeeds, new challenges push her limits even further.
Face Addict tells the story of a unique and unrepeatable experience, that of the artistic community in New York between the late '70s and early '80s, known as the downtown scene.
The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.
What would happen if everything stopped? If the engine gears of the economy jammed for good? The Japanese island of Ikeshima is a place that seems to be ahead of its time, showing us a possible future. The few remaining inhabitants live in a surreal setting, clinging firmly to a normality that seems however to escape them. A dreamlike journey, which forces us to think about our relationship with the planet but also about social isolation and loneliness.
“Many years ago, men and lions used to live in peace together and were allies. They protected each other. But little by little men forgot about their deal and in the end the lions did the same.” These are the words that Lionel’s dying grand-father whispered to him in his village in Africa. Lionel is an 11-year-old boy who leaves happily in Switzerland with his mother and step-father. During a school trip to the zoo, Lionel is irresistibly attracted to an old lion lying in a cage. The lion starts to communicate with him and asks him to find a way to set him free in order to go back to Africa. With the help of his best friend Federico and of his classmates, Lionel is determined to keep his promise…
A trip that will take us to 7 African countries (Ghana, Senegal, Rwanda, Mozambique, Kenya, Ivory Coast, Burundi) to meet powerful women determined to do everything possible to offer a better future to the African people. These women will explain how they think they are working to save the continent, which must resolutely embrace integration into the world economy because the years of totalitarian male rule in Africa have been catastrophic. A film that will make us understand that the future of Africa belongs to women.
Every night nameless bodies land in Dr. Cristina Cattaneo’s autopsy room. She calls them the Pure Unknown. These Pure Unknown often belong to the fringes of society. They are homeless, sex workers, runaway teenagers. Lately, they have mostly been migrants, rejected by the Mediterranean Sea onto the shores of Italy. If all rights belong to the living, nothing is left to the dead. So what happens when the dead have lost their identity? In the face of this growing multitude, no one seems concerned about their right to dignity.No one but Cristina.
