Medea Film Factory

A personal essay about the United States, viewed through the life and work of a movie actor. Henry Fonda and the roles he played merge into a dazzling and conflicted figure. A very private man who thought he had “no good answers to anything” becomes the unlikely motor of a parallel history. His voice, recorded during his last interview in 1981, and his onscreen avatars guide us through America’s past and present – on a road trip from the village of Fonda, NY, across the Midwest to the Pacific; from 1651 to the 1980s and the presidency of another movie actor. It takes many places and times and characters to imagine an invisible republic – the United States of Fonda.

Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.

An intimate portrait of the superb actress Gena Rowlands, icon of independent cinema. Together with her husband, legendary director John Cassavetes (1929-89), she lived an unusual life beyond the dream factory, a life in which reality and fiction were so perfectly intertwined that it made possible films that still today seem incredibly real.

A look at the world of US writer Paul Auster, on the occasion of the publication of his new novel, an exploration of human identity and the soul of New York, the city that Auster has portrayed as no one else has ever done.

The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through hell with fascinating and exciting insights into Botticelli's art and its hidden story.

A journey through the Spain of the Baroque, the glorious 17th century, an unfortunate era of endless wars and political tribulations; but also of great painters and sculptors who created astonishing pieces of art: el Siglo de Oro.

Tippi Hedren, the unforgettable actress who starred in The Birds (1963), made in her memoirs a relentless portrait of its director, the genius British filmmaker Alfred Hitchcock (1899-1980), the same one who, despite his disturbing personality and questionable working methods, made her a Hollywood star. From Minnesota to Hollywood, the true story of a unique performer and a free woman.

Legendary British actor Michael Caine, who began his brilliant career on stage during the 1950s, talks about his private life, his work in film and the books he has written.

Germany holds the largest collection of Cameroonian cultural objects in the world in its Ethnological museums. One important piece is 'Mandu Yenu' the Royal Throne of Bamum, a striking work adorned with glass beads and cowrie shells, also known as the Pearl Throne. What should be done with this masterwork and other pieces overshadowed by their colonial heritage?

Veli Tanyeli, who died after a heart attack, is brought to the ghusl room before his burial, all the conflicts that have been hidden amongst the family came into light. Nermin, who has been imprisoned in an unhappy marriage for years, decides to settle the years after the death of her husband Veli in the ghusl room. Nermin's confrontation with Veli is actually a confrontation with herself.

The rough, unkempt facades in Prenzlauer Berg – as if the skin had been peeled off the houses, says photographer Tina Bara. Having grown up in a prefabricated building, the young woman was drawn to East Berlin. She quickly got in conflict with the state, just like the artists Cornelia Schleime and Gabriele Stötzer, whom director Pamela Meyer-Arndt questions in her film about memories, traumas and creative genesis.

Death and the devil, nudity and eroticism, horror in blazing colours, Gothic art cast a spell over people 500 years ago. In these image-poor times, art deliberately and skilfully played with the emotions of the viewer, triggering fear, devotion, but also rapture. Art documentary on German gothic art of the late-middle ages.

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.

Relationships between mothers and daughters are often very complex. Love and protective instincts, recognition and pride play just as important a role as patronization and envy, dependency and jealousy. This documentary allows prominent mother-daughter pairs to have their say, being surprisingly open about birth and puberty, growing up, sexuality and old age.

Rome, the "Eternal City", has captivated people for centuries. In 1532, Dutch artist Maarten van Heemskerck visited the city to sketch ancient ruins and sculptures. Nearly 500 years later, the Urban Sketchers, a global movement of illustrators, are drawn to his work. The film explores Heemskerck's journey, the sketchers following in his footsteps, and the "Fascination Rome" exhibition at Berlin's Kulturforum (April 28 - August 4, 2024).