Guide 1965
When mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers.
When mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers.
Rakesh, a successful architect, falls in love with a girl: Sujata whose father happens to be his own father's business rival. Sujata's father unwittingly assigns Rakesh the contract for building his house. This sets the stage for an entertaining story about the love between two individuals and their efforts to reconcile their families.
Madan comes from a poor family background. Unable to find employment, he takes to gambling in order to pay for his sister's medical expenses. Soon, he forms a bond with Leena, a dancer, and is falsely accused of her murder.
Heera has two passions in his life, namely his love for Reema, an air-hostess, and photography. When Reema passes away during an airplane accident, Heera is left with only passion in life - photography. During one of his photographic sessions with Raja Saab, a priceless diamond is stolen by Panna, and is hidden in Heera's car. When Heera comes to know about this theft and that he is in possession of stolen property, he decides to turn Panna in to the police, and that's when he comes to know that Panna is Reema's younger sister.
Dhun comes from a wealthy and talented family and desires to see the world on his own. He sets upon this travel and on his journey comes upon an inn called Five Daughters, run by Pahar. Deciding to stay there for a while, he meets Pahar's daughters and falls in love with Pooja. Pooja reciprocates his love and both hope to get married. Just when their marriage is being planned, Pooja's family comes to learn that Dhun and Pooja are related.
A sleep suspense thriller, from Vijay Anand (his directorial debut), Nau Do Gyarah is the story of Madan (Dev Anand) on his way to Bombay to inherit his uncle's estate. On the way, he picks Raksha (Kalpana Kartik), who has run away from home, rather than be married to a man she does not like. On reaching Bombay, Madan finds his uncle dead, and the estate taken over by Kuldeep, his aunt's nephew. The new will is missing. Madan has to find out, what really happened to his uncle and the missing second will. S. D. Burman's compositions embellish this fast paced and stylish thriller.
Samir Sahni is a farmer living with his mom, dad, wife, Rama, a young daughter, and his younger brother, Veer. Samir gets an offer to work in the U.K., and departs accordingly. He would like to settle there, and after doing so, would like his family to also join him. The years go by, and Samir keeps in touch with his family regularly. Then the Sahni family stop receiving any letters from him, and are anxious to know what has happened to him. Veer is asked to travel to U.K. to find out, and he does so. What he finds are tens of thousands of East Indians on fake passports, working for less than minimum wages, poor unhealthy conditions, fear of being deported, and paying half of their earnings to fellow East Indians who had got them here through the underground. Veer finds no sign of his brother, and sets out to investigate, only to find deceit, murder, and his very own life in danger. Written by rAjOo (gunwanti@hotmail.com)
Thakur Ranjit Singh buys the enslaved Kajal's freedom and gives her the status of a daughter-in-law... much to the disgust of his uncle, Jasbir. When the sleazy Shakal turns up and arranges a secret meeting with Kajal, Ranjit believes that he has caught his beloved being unfaithful. He exacts a fearful retribution. Obligingly, Jasbir destroys the evidence. Ranjit finds himself being plagued by the restless spirit of Kajal as well as a suspicious policeman. Seeking respite in Bombay, he is stunned to see Kajal's doppelganger, a nurse called Kiran. Unnerved, he brings Kiran home with him and finds himself falling in love again. The mystery deepens when Kajal's vengeful spirit murders the usurper, sending Ranjit over the edge and into an asylum.