Femme Fatale: The Nightmare Come True 2023
The passionate story of the femme fatale, seductive and dangerous, a myth and a fantasy, through her representation in art.
The passionate story of the femme fatale, seductive and dangerous, a myth and a fantasy, through her representation in art.
Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?
Documentary about Leipzig artist Neo Rauch, who is considered to be one of the seminal painters of his generation. Born in 1960, Rauch lost his parents in an accident while he was still a baby. He studied at the Hochschule für Grafik und Buchkunst in Leipzig, and rose to international fame in the 1990s. Rauch, whose paintings often revolve around notions of home, is one of the most eminent figures of the Leipzig New School.
The painter Otto Dix (1891-1969) dissected and exposed his time like no other. The portraits from the world of the milieu of whores and suitors, of sexual violence, were a taboo break. His brutal depiction of war shook society - he was a ruthless chronicler of his day. In contrast, private life with his wife and children shows the gentle side of the provocative painter. Nicola Graef's film "Otto Dix - The Ruthless Painter" is dedicated to this interplay of life and work. Like few other artists, Dix used his personal experiences and experiences as the basis for his work.
Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.
Loneliness has many faces in Berlin. Young and old are afflicted by it, men, women, single and married people. It’s normal. Nonetheless there’s a stigma attached to this mixture of emotions that makes sufferers stay silent. Director Nicola Graef tries a different approach in her film: She lets the lonely inhabitants of the capital city speak, listens. The result is varied and quite often surprising.