Cinema Dal

Flight attendant Won-gyu left Korea 2 years ago with painful memories and now comes back. Won-gyu meets Tae-joon, who is a quick service delivery man and has a special night with him.

Yong-ju, Gi-woong and Gi-taek used to be best friends in middle school, but in high school, Gi-woong becomes a member of the gang that bullies Gi-taek. As Yong-ju tries to fix this broken relationship, he realizes his special feeling toward Gi-woong.

Min-Seo, a 17-year old rebellious high school Korean girl, lives in a small apartment with her mother and her mother’s penniless lover. She hates her mother’s lover and doesn’t understand both of them. Karim, a 29-year old Muslim migrant worker from Bangladesh has to leave Korea in a month. Before departing, he is desperately searching for his ex-boss to get his unpaid salary. One day, as Min-Seo’s summer vacation begins, Karim encounters Min-Seo on a bus, and together they set out on an emotional journey.

Gi-tae who is going to terminate his military service goes on a road trip with Jun-young by drugging him with a sleeping pill. They learn more about each other and come to terms with their sexuality.

Mother disappeared. Son faces the truth that was hidden for thirty years. In 1983, a twisted love story among a woman, a revolutionary, and a fraktsiya unfolds.

The documentary Two Doors traces the Yongsan Tragedy of 2009, which took the lives of five evictees and one police SWAT unit member. Left with no choice but to climb up a steel watchtower in an appeal to the right to live, the evictees were able to come down to the ground a mere 25 hours after they had started to build the watchtower, as cold corpses. And the surviving evictees became lawbreakers. The announcement of the Public Prosecutors’ Office that the cause of the tragedy lay in the illegal and violent demonstration by the evictees, who had climbed up the watchtower with fire bombs, clashed with voices of criticism that an excessive crackdown by government power had turned a crackdown operation into a tragedy.

Thirty-six years ago, Lee Soohyun met Kim In-sun at a Korean Christian Women’s Association retreat in Germany and gifted her flowers. Despite threats from her then-husband and the disapproval of Korean society, In-sun found love and chose to be with Soohyun. Now, the two of them—who came to work as nurses in a foreign country where they knew nothing of the language—are still there and already in their 70s. For 30 years, they have lived together in Berlin and shared in all the joys and sorrows of life. Soohyun and In-sun have stood in solidarity with other foreigners like themselves while also looking after one another. They are two people who overcame boundaries. This is their love story.

Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.

304 people drowned as the car ferry sank. Four fathers recall their memories of their children; high school students who were on their field trip. Professors, lawyers, journalists, an activist, a diver, and a politician explain why the system ultimately allowed the tragedy to occur. What is stopping the next tragedy? The world has turned upside down.

Just before Lee Seungyoon became famous after winning the music audition program Sing Again, two women just went to “Unknown-musician” Seungyoon without any notice. One day in 2018, the two, who were going through a very tough time, happened to listen to his song and it healed their wounded hearts. After two years, they boldly suggest him to make his music video without any experience. Starting with the ridiculous proposal, their adventurous journey begins.

A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.

Nora Noh, the best fashion designer, who dominated the scene of Korean women’s fashion and culture of the time. She was the first person ever to hold a fashion show in Korea and to make designer readymade clothes. She boldly dressed the Korean singer Yoon Bok-hee in a miniskirt and styled the duo vocal group Pearl Sisters in pantallong (flare-style pants). One day, when Noh was preparing for her show, a young stylist named Suh Eun-young comes to see her out of the blue. What kind of show will the two of them create amidst their differences and conflicts?

In April 2014, the entire nation of South Korea watched on television live as The Sewol capsized off the coast of Jindo. The tragedy left life-long wounds in the hearts of people whose family and friends had been among the 304 passengers killed. The majority of the victims were high school students on a school trip. Their parents were not even given the luxury of grieving, as they had to camp out in front of the Parliament, City Hall and the Presidential House, asking for only one thing - to know the truth about why their children had been left to die. But after more than a year, that truth has yet to be brought to light. This film is a documentation of the year-long struggle and painful soul-searching of people destined to be labelled as 'bereaved families' for the rest of their lives, as they come face to face with the naked face of their cruel country.

Sang-woo knows his teacher's secret: a visit to a gay bar. Kyeong-hoon and Sang-woo embark on a journey about their sexuality and their relationship and their place in society.

The Silence narrates the struggle of fifteen "comfort women"—former sex slaves by the Imperial Japanese Army during WWII—for recognition and reparation. The "comfort women" issue has previously been treated almost exclusively within the framework of Korean nationalism. The Silence will provide insight into the ways in which nationalism and the emergence of post-war Asian nation-states have hindered the understanding of "comfort women" narratives through Zainichi Korean documentary filmmaker Soo-nam Park's point of view.

YU Wooseong who had been working as a civil servant is on trial for espionage following his sibling’s confession. A reporter who has been laid off begins following the traces of a spy story manipulated by a government agency. The clues lead to a confession and false evidence that society and the press have turned their back on.

Jae-nyun and Woo-young both suffer from brain lesions and have been dating for eight years. Now they face the next step in their life: marriage. They are no different from ordinary couples in Korea when marriage is concerned. Woo-young is forty years old. Ever since his father died, he could no longer delay his marriage with Jae-nyun and openly proposes to her several times. On the other hand, Jae-nyun, who was happy with Woo-young's first marriage proposal, experiences difficulty in giving a definite answer to Woo-young. She is worried about married life. To make matters worse, her future mother-in-law makes an interview of how she accepts Jae-nyun as her daughter-in-law, which suffocates Jae-nyun even more with the patriarchal custom the marriage system hides beneath the surface.

Lim Jaechun, who worked as a factory worker for 30 years and was suddenly laid off, spent 10 years in a tent as a sit-in. Director Lee Soojung calls her ‘sister J’. 10 years into the fight for reinstatement, Jaechun now writes, plays guitar, and sings while living in a tent. She says her personality has changed after 7 years of being laid-off from “originally timid” to being very lively. Sister J deals with a struggle for reinstatement, but it is actually a film about a single person, as stated in the title. This documentary brings artistic vitality to the ‘4,464 days’ Sister J spends on the site, with lines and music driven from the forms of the play into the cinema.

In October 2015, the evicted residents who had imprisoned on a false charge of killing a policeman assembled in a place for the first time after the Yongsan Disaster six years ago. They had occupied a watchtower against unreasonable redevelopment policies and in protest against violent suppression used by riot police in 25 hours of their sit-in demonstration. Their colleagues had died from an unknown fire, and they became criminals. The delight of meeting again lasts only briefly. The ‘comrades’ rip out cruel words while blaming each other.