Les Films de l'Arlequin

A very lazy boy, whose mother can no longer stand watching him sleeping and eating all day long, decides to set to work, revealing unsuspected powers of imagination, invention, and perseverance.

In a small town plunged into darkness, two children, Kyona and Adriel, are separated from their parents and, facing the path of exile alone, embark on a heroic journey that will take them from childhood to adolescence, in search of refuge, peace and the hope of finding their family.

In this evocative film about the eternal human search for home, Berta and Solomon arrive in a land that promises respite from their many journeys. But have they found utopia... or just another stop on their long journey?

The intertwining fates of two Vietnamese sisters who sustain a wartime relationship through written correspondence.

On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.

Charles lives with his obese mother, and takes care of everything in the house. Constantly laughed at by his classmates, he takes refuge in a dream world populated by frogs. They help him through hard times that are about to get worse.

A woman is forced by her husband to be shut-up for ever. But when she listens to nature's song, she refinds her own song and the hope of a different life.

This film bears witness to a life that changes... Or how Aurore, a young woman of 26 who is bored in Nohant, with Baron Dudevant, her country husband with the appearance of a gentleman, becomes George Sand.

Lucie Sunková’s short film The Tree is a metaphorical story about the parallels in lives of people and trees, a lyrical poem about birth and death, about the flow of our time and the nature surrounding us, a parable about parenthood and crossing the boundaries of a human (not only) life. It is a story about relations, seeming hopelessness and a happy promise. Used paint-on-glass technique, a pure poetic means of expression ideal for a story like this, forms another metaphoric layer of the film withs its laboriousness and graphic style. The budget of this co-production reached almost 150 thousand EUR and was almost evenly divided between MAUR film and French production company Les Films de l’Arlequin. Both sides were supported by their respective national funds – State Cinematography Fund in the Czech Republic and the prestigious national fund CNC – Centre National du Cinema in France.

A short directed by Gianluigi Toccafondo.