In 1912, the Titanic embarks on its inevitable collision course with history. In the wake of the over-spending required to build the largest luxury ship in the world, White Star Line executive Sir Bruce Ismay schemes to reverse the direction of his company's plummeting stock value. Onboard the Titanic, brave German 1st Officer Petersen struggles to convince his self-important British superiors not to overexert the ship's engines.
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
In the very old-fashioned town of Ostend suddenly 13 suitcases are delivered to the Grand Hotel, with a note, that O.F. will be here soon and needs 6 rooms. This event, probably the biggest in 300 years, starts a small wave of modernisation, yet everybody is wondering who O.F. is.
German chancellor Otto von Bismarck promises the dying emperor Wilhelm I. to be loyal to his grandson. But the gap between young Kaiser Wilhelm II. and old Bismarck is rapidly widening. It soon appears that an era is coming to an end.
In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.
In this film, the wife of a renowned doctor becomes ill with multiple sclerosis. Trying to spare her beloved husband the ordeal, the woman turns to a family friend, Dr. Lang, to help end her life. When this doctor declines to help with the assisted suicide, however, she is forced to turn to her husband. After much soul-searching, Dr. Heyt, her husband, assists in her suicide. The act, however, is witnessed by a chambermaid, who reports him to the police. Dr. Heyt is put on trial for murder and, at first, Dr. Lang testifies against him in court. Soon, however, Dr. Lang is faced with a similar case in his professional practice and this, along with Dr. Heyt’s impassioned performance in court, convinces Dr. Lang that, in some instances, mercy killing may be the right thing to do.
After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards.
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony.
Germany in the fall of 1918: Accompanied by the Archduke Karl Maria, Princess Henriette von Battenstein makes an inspection tour of hospitals. During these inspections, she meets Lieutenant Rainer, the former conductor of the State Opera. When she later makes music with him in the Archduke's castle, she becomes the unwilling witness to a secret cease fire negotiation.
A biographical film of Otto von Bismarck, the Prime Minister of Prussia, and how he and his policies - including aggressive war - helped to unite Germany.
Fernand has escaped from prison and finds shelter in the traveling circus Barlay, where his former wife Flora works as a predator trainer. Their son, now grown up, Marcel is an art rider and does not know that Fernand is his father. Marcel loves Yvonne, the daughter of director Barlay. He is against the connection, sends his daughter to Italy and convinces Marcel that Yvonne does not return his feelings.
An actress and her lawyer husband are so busy that their maid becomes the real mother to their six year old boy and at one point causes consternation by taking the child away to her home village.
In the mountains of the Ötztal, the wealthy Fender (Eduard Köck) and Wally (Heath Hatheyer), his only daughter and heir, manage a small farm. He wants to marry the rich, but boring, Vincent (Leopold Esterle). Wally escapes to a mountain hut, where she lives alone and withdrawn. Her love belongs to the hunter, Joseph (Sepp Rist). When she unwisely takes a young vulture from its nest and is attacked by the mother, Joseph comes to her aid and from that point on, she fondly calls him her "Geierwally". He also feels attracted to her, but Wally can't escape the feeling, that the young Afra is his mistress. Mad with jealousy, Wally announces that she'll marry the one who kills Josef. Vincent wants to earn her hand and is determined to kill the Geierwally. Just in time, though, the actual relationship between Joseph and Afra is clarified.
The Legend of the Luftwaffe began in Poland, the first victim of Hitler's blitzkrieg. Combat cameramen filmed the aerial campaign, showing preparations for flight, massive air strikes, and the appalling devastation wreaked upon Polish towns and armies.
An anti-British propaganda film from Nazi Germany which depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.
German all-star musical from 1938 that was a big commercial success.
The young Schiller, whose heart and soul are writing and poetry, is forced into the military academy (the pride and joy of the Duke of Württemberg). Schiller is disgusted by the everyday routine of the military, always back and forth between breeding and drills. Conversation, conflict or even critique are discouraged – the oppression insufferable for the young rebel. Disgusted by the brutality, he writes his drama "The Bandit", which he would later publish anonymously. But following a frank conversation with the Duke, Schiller is dishonored and must leave the land.
Across German screens at the outbreak of WWII streaks "DIII88: The New German Air Force Attacks", an aeronautic and maritime spectacle glorifying Hermann Goring's Luftwaffe and the spirit of the newly arisen Germany. Once war became imminent, Joseph Goebbels instructed the German film industry to initiate production of numerous militaristic projects, but DIII88 was initiated by the Propaganda Minister's rival, Goring, who commissioned several aviation pictures. DIII88 is not a war picture per se, because it takes place in peacetime, but the young, fresh-faced air aces enthusiastically look forward to the coming war. The propaganda is blatant: The only thing that matters is dedication to duty and unconditional commitment to the Fatherland.
