Herbert Richers

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde.

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

Poor boy treats a sweet lemon tree as his only friend, talking to it, and learning important values in the process. But one day the tree must be cut.

Two new recruits at a fire station headquarter engage in a competition between two sergeants in personal rivalry

While still a child, Lollipop falls in love with her orphaned cousin Silvio, who has been raised as a member of the family by her father, Dr. Arnaldo, a highly respected government official. Years pass, and to Lollipop's dismay, Silvio becomes engaged to her cousin Leticia. During the engagement party, the enraged Lollipop seduces Silvio, and sometime later, she reveals to Leticia that she is pregnant as a result of the encounter.

An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive

Bonga is a bum who lives on the streets, alone and free, with no commitments, except for pulling off naive scams to get food. When he is in front of a nightclub, he meets a gigachad and builds a great friendship with him. The boy's businessman father pressures him to get married and so, with the help of the bum Bonga, they come up with a plan to introduce a fake fiancée to the family. But things don't go as expected, they get complicated, and at the time Bonga takes another friend he met on the streets and is in love with to his friend's house.

The loving adventures of a priest disillusioned with religion and life.

The adventures of a peaceful and infatuated man, who tries to identify the man who killed his sweetheart, an unconventional young woman who used to receive "guests" at home, calling them her cousins.

After marrying everyday man Zózimo, Engraçadinha, who had been through intense sexual experiences as a teenager, settles to live a quiet and normal life. As the years go by, her teenage daughter's behaviour seems to call back Engraçadinha's own teenage days.

Rhonda Fleming shines as Pamela, an American film star who falls in love with coffee grower Claudio (Rossano Brazzi) while in Brazil. When the two are hastily married, Pamela finds herself entwined in a clash of cultures in this rarely seen romantic comedy.

Mike, an architect, is married to Lin, a beautiful and unfaithful woman. Returning from a trip, he finds she's disappeared. When he tries to locate her, he also learns about her many affairs, and he gets closer to Marina, his efficient assistant, who helps him solve the mystery.

Two friends are looking for a quiet place where they can rest awhile. Soon they find the town they'd chosen to go is far from quiet. In fact, it's ruled by outlaws. And one of them is mistaken for the "Avenging Gunman", defender of the law.

Petrônio drives a bus and his friend Cabeleira is a ticket collector. When Petrônio's sister needs money to do a surgery they get involved with a film production company, where a psychopath is trying to be the protagonist of the movie.

Documentary about the history of Jornal do Brasil, founded on April 14, 1891. In 1965, the Jornal do Brasil marked its innovative and active position, as recorded in the documentary "A Seventv-Four- Year-Old Fellow" by the filmmaker Nelson Pereira dos Santos, and the story itself was in charge of confirming. In the following years, the newspaper would witness the most remarkable events of the second half of the twentieth century in Brazil and in the world. It would applaud the democratic struggles and independence of peoples, support social demonstrations against oppression and justice at all levels. Tirelessly, he did not hesitate to report the truth of the facts, regardless of the circumstances in which they presented themselves.