Rose-France

Rose-France 1919

8.20

A poem to love & patriotism soon after the end of WWI. A highly original and poetic film using many experimental camera techniques, which proved too fanciful for many but which established his reputation as a talented innovator. This is the director's debut film and it is considered the second impressionist film, the first being Abel Gance's, 1918, La Dixième symphonie (The Tenth Symphony).

1919

Broken Blossoms

Broken Blossoms 1919

6.90

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

1919

A Day's Pleasure

A Day's Pleasure 1919

6.11

A father takes his family for an outing, which turns out to be a ridiculous trial.

1919

Male and Female

Male and Female 1919

6.30

When an aristocratic family and their servants are shipwrecked, the butler becomes their ruler.

1919

The Doll

The Doll 1919

7.39

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

1919

Blind Husbands

Blind Husbands 1919

6.40

An Austrian military officer and rogue attempts to seduce the wife of a surgeon. The two men confront each other in a test of abilities that ends surprisingly.

1919

Heart o' the Hills

Heart o' the Hills 1919

6.00

Family tensions in the Kentucky hills are inflamed by an outsider's dishonest scheme to exploit the area for its coal.

1919

His Majesty, the American

His Majesty, the American 1919

5.80

A European prince is raised in America without knowing his true identity; he spends his time thrill-seeking, but his country needs him when a revolt threatens the crown.

1919

The Mother and the Law

The Mother and the Law 1919

6.90

After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The second of these was 'The Mother and the Law', which demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers help ruin the lives of marginal Americans.

1919

Back Stage

Back Stage 1919

6.33

Roscoe and Buster give a bullying Strongman the what-for, but after the performance troupe quits it's up to Fatty and Buster to keep the show going.

1919

Different from the Others

Different from the Others 1919

7.00

Conrad Veidt plays a famous musician who is blackmailed for being gay. Eventually he stands trial and is convicted. At the end the film pleads for the abolition of §175 (the law that punishes homosexuality).

1919

Ask Father

Ask Father 1919

6.50

Lloyd is a serious young middle-class guy on the make who wants to marry the boss’ daughter. The problem is getting in to see the boss so that he can ask for her hand in marriage as the office is guarded by a bunch of comic, clumsy flunkies who throw everyone out who tries to get in.

1919

Madame DuBarry

Madame DuBarry 1919

6.40

The story of Madame du Barry, the mistress of Louis XV of France, and her loves in the time of the French revolution.

1919

Where the West Begins

Where the West Begins 1919

1

William Russell plays Cliff Redfern, a hard-ridin' Westerner who takes a liking to Easterner Ned Caldwell (Cullen Landis), the dissolute son of a wealthy cattle rancher. Certain that all Caldwell needs to become a "real man" is a dose of frontier life, Cliff kidnaps Ned and brings him back to the wide open spaces.

1919

Sunnyside

Sunnyside 1919

6.50

An overworked farmhand who works also at the adjacent hotel dreams of marrying the village belle.

1919

Fires of Faith

Fires of Faith 1919

1

The story of the Salvation Army, told through the tale of two men and two women who serve in the First World War.

1919

A Sporting Chance

A Sporting Chance 1919

4.70

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

1919

When the Clouds Roll By

When the Clouds Roll By 1919

6.80

Daniel Boone Brown is a pleasure-seeking playboy carousing around New York City without a care in the world -- that is, until he becomes the unwitting subject of a series of experiments at the hands of a sadistic psychiatrist. Through various means of control, the mad scientist drives Daniel to think he's losing his mind, but ultimately introduces him to the lovely Lucette.

1919

The Girl Who Stayed at Home

The Girl Who Stayed at Home 1919

4.75

Ralph visits France with his father, a shipbuilder, and falls in love with Blossom, the granddaughter of his father's friend, a Civil war veteran not reconciled with the Union. Blossom, however, is engaged to a French nobleman. When the war breaks out, Ralph enlists, while his brother Jim, a heartbreaker, is drafted.

1919