On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.
An old man tries to play backgammon with friends while babysitting his granddaughter, who's terrified of the young suicide in their building.
Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure.
Camil wakes up one night without a penis. The nightmare continues when his partner also disappears after meeting a former lover. Camil sets out to find her and - wearing female clothes - joins a secret community dedicated to fertility, somewhere near a lake. And what he finds there will prove even more disturbing than his recent misadventures...
The film written and directed by Radu Jude starts from the gesture of defiance against Russia made in 1905 by the sailors on the cruiser Potemkin, who received political asylum in Romania. In 2021, a sculptor (played by Alexander Dabija) is trying to make a work inspired by this event.
Horia, a teenager from a Romanian village, is in love with a girl who lives on the other side of the country. After an argument with his father, he makes an impulsive move and leaves home on his father's old Mobra moped. His way is made difficult by a clever little girl named Stela, and the two are forced by circumstances to travel together and overcome a series of obstacles.
Given a portrait, who is responsible for the image we see, the painter or the subject? Ion used to be a a rockstar of Ballet in Communist Romania. When we first discussed the possibility of a portrait, Ion was initially thrilled. He’d been dreaming that someday there’d be a film about him. But during the filmmaking process Ion finds it hard to let go.
The life of human beings, seen from birth to old age. Only that this generic life is not represented with humans, but with the artefacts that we the humans have created for our children (or should we say ‘cubs’?), in order to prepare them for life: the toys. So, the film is a collage of scenes in which the toys help us understand better a possible essence of our life.
Invited by the goEast Film Festival in Wiesbaden (Germany), Radu Jude created a self-portrait. A confinement diary made of his thoughts, his relationship to cinema, his inspirations or the streets, objects and people that surround him.
Based on an idea by Eisenstein, who dreamt of composing the 101 poses of Robert Macaire – a popular French character epitomizing the unscrupulous swindler – as represented in the 101 lithographs of the series Caricaturana by Honoré Daumier. First, a montage of the gestures as Eisenstein envisaged. Then, original texts are added to the caricatures. And finally, we took the liberty to use them as a commentary to some current news.
Infidelity drama, male egos, lost dogs in Startsladden favorite Stefan Constantinescu’s arthouse gem about a man consumed by jealousy who risks losing everything while searching for the truth.
A film composed entirely of archival photographs and documents related to the Iași Pogrom of June 1941. The first part of the film consists of photographs of the victims, accompanied by statements and testimonies about their fate. The second part, shorter, is a montage of photos of the pogrom itself.
A collection of 6 films made during the lockdown period in Romania.
Arsenie Boca, a priest, theologian, and mystic persecuted by the communist regime, is considered holy by many believers, although he has yet to be canonized.
A docu-comedy about politics in a world where citizens are dogs, politicians are dog breeders, national institutions are local dog breeders’ associations while the highest international forum is the FCI (Fédération Cynologique Internationale, the World Canine Organisation).
Film is an exploration of a special universe: the annual vacation of a bunch of 70-year-old ladies. Far from men and the madness of daily life, Cica, Nana and their friends isolate themselves voluntarily in a villa in the countryside. Together they blend joie de vivre and memories, melancholia and joyfulness, gossip and jokes. All that to keep up the illusion that time has not passed, that they are still the same beautiful and attractive girls they were 50 years ago.
