Studioul cinematografic „Bucureşti"

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.

Jacob (Dorel Visan) is a gold miner who risks his life daily to support his wife, mother-in-law, and four children in this socio-political drama. Under the rule of an oppressive monarchy backed by military force, the miners often resort to stealing gold to compensate for their meager wages. Workers are subjected to strip searches and are forced to take laxatives by the often brutal guards and inspectors as they look for stolen gold, and Jacob raises his vocal objections over the treatment of his fellow workers.

In a textile factory, the cultural supervisor falls in love with a typist. To impress her, he pretends to be friends with a famous composer whose operetta was to be performed by the company's artistic brigade. However, the typist, an uneducated woman, sees him only as a means to become the protected one of an influential person.

The story takes place early in the 20th century in Eastern Romania, where a famous outlaw lived kind of a Clyde with many Bonnies legend in the landscape of the Danube Delta.

With his nose pressed against the glass, four-year-old Ionel watches the kids playing ball in the street with great interest. His father, a schoolteacher, has lost his job. Now he goes to various institutions in vain, because in bourgeois Romania it is not easy to find a job. Ionel waits for his father every night and while waiting for him he dreams of getting a real yellow ball for his birthday. His father realizes that it is necessary to get the money and buy the ball. After all, the boy is crippled, and the ball is the only hope for him to get well...

Part two of the triptych dedicated to the outlaw Șaptecai and episode 5 of the Outlaws series. After a spectacular escape plotted by Anița, Răspopitul and Parpanghel, Captain Anghel sets off once again on the money trail. Kidnapping Caliopi, Șaptecai demands the jewels her husband Ianis bought in Vienna in exchange for her release. After a series of spectacular events, Anghel succeeds in stealing Lady Ralu's precious dowry.

The communists are taking over the boyar land and do the agrarian reform.

The Romanian Ministry of State Security has learned that foreign intelligence is hunting for plans for blue mines, where strategic raw materials are mined. This task is carried out by a gang led by a spy named Sea Cat.

The Romanian army faces the German army in the epic battles of Marasti, Marasesti and Oituz, marking a turning point in World War 1.

The last part of the triptych dedicated to the outlaw Șaptecai and episode 6 of the Outlaws series. In the Week of Fools, Anghel's band exchanges Lady Ralu's dowry for arms for Tudor of Vladimiri's army, which they decide to join. Although captured by Mamoulos and savagely tortured by his men, Șaptecai escapes from the dungeon and goes on his way. With the help of Anița, the Răspopitul, Parpanghel and other fellow outlaws, Anghel finally sees his dream come true.

Adaptation based on the sketch "Doi vecini" by Tudor Arghezi.

Adapted from the sketch by Ion Luca Caragiale. A fine irony on pre-war politicism, which manages, through gastronomic means, to ridicule an entire political class.

1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.

The film centers on the story of two young specialists Andrei and Liviu, their different attitudes to work, to their authority and to friendship.

This 1957 Romanian short animation and Cannes Film Festival winner skilfully and with incredible artistic expression manages to condense the entire narrative of human evolutionary theory into a ten minute short film. Not only that, he eerily anticipates the communist triumph of the USSR launching the first man into space by a few years.

Useful film featuring a firefighter robot.