Frankenstein

Frankenstein 1910

6.02

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

1910

Ramona

Ramona 1910

4.68

Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.

1910

The Unchanging Sea

The Unchanging Sea 1910

6.39

In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.

1910

The Waiter's Dream

The Waiter's Dream 1910

5.62

Four customers are having a peaceful game of cards in a quiet café. The atmosphere being heavy, the waiter falls asleep and has an unsettling dream about the ills of alcohol, among other things.

1910

The Wonderful Wizard of Oz

The Wonderful Wizard of Oz 1910

5.40

An early version of the classic, based more on the 1902 stage musical than on the original novel.

1910

A Christmas Carol

A Christmas Carol 1910

6.40

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

1910

The Usurer

The Usurer 1910

5.00

A wealthy, callous moneylender finds a terrifying way to learn about money's limitations.

1910

The Englishman and the Girl

The Englishman and the Girl 1910

1

A small-town drama group's rehearsal is interrupted when one of their members receives a letter telling him his English relative is arriving for a visit. The Englishman turns out to be stuffy and humorless, and is the butt of several pranks. The drama group dresses as Indians and threatens him, but he turns the tables, pulls out a gun and chases them away.

1910

The Two Brothers

The Two Brothers 1910

1

In Camarillo, principality of the Spanish dominion, there lived two brothers, Jose and Manuel. Born in a noble Spanish family and reared by a mother noble in both station and character, they were vastly different morally. Jose was a dutiful son and upright young man, while Manuel was the black sheep. It was on Easter Sunday morning during the processional that Manuel appears in an intoxicated condition and foully ridicules the priests and acolytes as they enter the chapel of the old mission. At this the mother's pride is hurt beyond endurance and she exiles her profligate son from her forever. Manuel is shunned as a viper and while making his way along the road, meets Pedro, the notorious political outlaw, who sympathizes with him and offers him inducements to join him, and so takes him to his camp. Meanwhile, Jose woos and wins the Red Rose of Capistran and the day for the wedding is set.

1910

The House with Closed Shutters

The House with Closed Shutters 1910

5.20

During the Civil War a young soldier loses his nerve in battle and runs away to his home to hide; his sister puts on his uniform, takes her brother's place in the battle, and is killed. Their mother, not wanting the shameful truth to become known, closes all the shutters (hence the film's title) and keeps her son's presence a secret for many years, though two boyhood chums stumble upon the truth...

1910

The Modern Prodigal

The Modern Prodigal 1910

5.00

In the opening of this subject we find the callow youth as he points towards the city's spires, exclaiming to his dear old mother, "Mother, there in the big city is my sphere. There will I turn the world over." Off he goes cityward, ambitious and presumptuous, and perhaps we may add reckless. Alas, the city's whirl is quite a change from the simple quiet life in the country and the youth falls a victim to the snares that beset the unsophisticated.

1910

In the Border States

In the Border States 1910

5.50

During the Civil War, a father living in a border state leaves to join the Union Army. After he leaves, Confederate troops forage on his property, where a soldier encounters one of his daughters. The father himself is wounded on a hazardous mission and must run for his life, pursued by Confederate soldiers.

1910

The Call to Arms

The Call to Arms 1910

4.00

A Feudal Lord and his bride were visited by their cousin at a time when this Lord was presenting to his bride the family heirloom the Great Ruby of Irskaat. The cousin coveted it, and was determined to secure it. The Lord receives a call to arms and appreciating the danger of leaving this valuable jewel unguarded, buries it in a secluded part of the grounds. His soldiers now assembled, he departs, leaving his wife to the care of his trusted servants. No sooner had he left than the cousin returns with the subterfuge that he will stay at the palace guarding the wife until the Lord's return. This the wife appreciates, believing his tender well meant. Surreptitiously he rids the palace of the servants, placing his own in their stead. The poor woman is now in the absolute power of this despicable villain.

1910

Wilful Peggy

Wilful Peggy 1910

5.00

Peggy is a high-spirited young woman from a poor family. One day she catches the eye of a wealthy lord, who proposes marriage and wants to introduce her into his social circle. But complications arise when the lord's nephew also becomes attracted to Peggy.

1910

That Chink at Golden Gulch

That Chink at Golden Gulch 1910

5.00

In China, before leaving for America, Charlie Lee promises that he will never dishonour his family by cutting his pigtail. Later, as a laundryman in a California mining town, Charlie is tormented by local men but is finally befriended by a young woman and her cowboy sweetheart. One of Charlie’s tormentors is a well-dressed idler and, secretly, a bandit who robs the mail. The cowboy and the bandit become rivals for the girl’s affections. Suspicious of the bandit, Charlie follows him, observes him robbing a mail-carrier, and contrives to capture him, cutting off his pigtail to bind the bandit. Rewarded for the bandit’s capture, but disgraced in his own eyes for dishonouring his family, Charlie gives the cash reward to the young couple and surreptitiously leaves Golden Gulch.

1910

The 47 Loyal Ronin

The 47 Loyal Ronin 1910

9.00

An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.

1910

His Mother's Thanksgiving

His Mother's Thanksgiving 1910

4.50

This holiday-themed melodrama released by Edison Studios in 1910 concerns Robert, a young man who leaves his mother’s home in New England to forge a career in the big city. When he achieves “fame and fortune” six years later, his proud mother can’t wait to welcome him home for Thanksgiving. Robert, however, intends to stay in the city to enjoy a holiday feast with his society friends and beautiful fiancée. When Mom decides to pay a surprise visit on Thanksgiving Day, she is saddened to find that her son is so ashamed of her that he relegates her to an upstairs room, out of sight and out of mind.

1910

When We Were in Our 'Teens

When We Were in Our 'Teens 1910

5.00

Diplomacy was not Tom's strong suit. So when May showed to him her latest painting he poured scorn on it. He was anxious to discourage her from painting, knowing full well that she would never become a great artist. Howard, his rival, was more diplomatic. He praised her efforts, and is at once the top-notcher in May's esteem.

1910