Boyana Film

Denev is a specialist in his area. and has no time to write his dissertation. His cousin Ivan offers his help to switch places wich leeds to catostrophe.

A little Mermaid falls in love with a Prince whom she saves during a storm. Using all kinds of magical incantations in exchange for the Mermaid’s beautiful blue hair, a witch replaces her fish tail with human legs, making it possible for the Mermaid to walk and live on earth at the cost of great pain with every step she takes. The Little Mermaid willingly suffers through these trials only to be near her beloved. But the Prince, not realizing how lucky he is, becomes enamored with a beautiful but vain princess.

The story is set in the 1800s.Elena and Inzarov,a revolutionary Bulgarian ,fall in love.After secretly marrying they decide to join the liberation, but on the eve of departure Dmitry dies. Elena takes Inzarov's body to the Balkans .

A young boy (I. Spassov) gets his hand caught in a bridge beam on a hot summer day in this straightforward drama. As the water level rises in the river, people band together to try and save the boy before he drowns. He is comforted by his mother (G. Vachtov) and an army general (P. Slobokov), and the latter calls out the troops to save the lad from liquidation. This feature was the official Bulgarian entry at the 1965 Cannes Film Festival and is devoid of the usual 1960s propaganda associated with countries from the Eastern block of Europe.

Eight space cargo-ships disappear without a trace within three days. And the orbit station "Margot" has suddenly fallen silent. The space council is faced with a mystery and the scientist in charge, Maria Scholl, sees no other solution than ordering a total flight stop to this mysterious sector of space. Her colleague, Prof. Tal seems to be suspicious since he knows things before they are even released. A forbidden look into his personal file brings to light that Tal was part of the Eolomea project that never found approval of the commission in charge.

The 1960s was the time of Beatles and Rolling Stones, the time of sexual revolution. These events have their echo in Bulgarian English-learning school. The school order provokes a protest of the students due to the narrow-minded teachers.

During the 1800s, Peru's government sends 2 envoys to negotiate peace with the rebellious Incas but a treasure-hunter bandit shoots the Inca ruler and his son, leaving the 2 envoys to take the blame for it.

Rado, an orphan from a poor Sofia neighborhood, has been in and out of school for troubled youth for years. Although he is approaching adulthood, he is yet to finish 8th grade. He cannot reconcile his pride and sense of justice with the kind of education provided by people who are deprived of sensibility and human warmth. Rado asserts his right to freedom by frequently running away. During one of his escapes he meets the love of his life, Albena. She is a good student, and comes from a well-educated, sophisticated family. This new and unexpected connection intensifies Rado's desire for freedom and independence, and leads them both into uncharted territory.

In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.

A couple of young ladies decide to obtain a driving license. The film is a true comedy of relations, caused between the driving-teacher and the beginner-drivers.

By order of Her Majesty's Secret Service, Captain Strong is given a dangerous assignment to deliver a delicate communication to the British Ambassador in Kazakhstan. As the senior officer for the elite Queen's Messenger corps, Captain Strong must pledge to protect his diplomatic cargo with his life

The film is based on a true dramatic story of the fate of a wonderful Russian woman - Countess Yulia Petrovna Vrevskaya, one of the first Petersburg beauties. The events of the movie take place during the Russian-Turkish war for the liberation of the Bulgarian people from the Turkish yoke. An early widowed baroness, having left Petersburg, and having invested all her money in organizing a volunteer sanitary detachment, she becomes a sister of mercy on the front of the Bulgarian war with the Ottoman Empire of 1878.

High in the mountains of Macedonia a team of young film makers are making a documentary about Katerina Vandeva - a descendant of an ancient and very famous family. Several former state and party functionaries interfere in the filmmaking in the hopes of manipulating Katerina's confessions for their own purposes. Nikola, the director, and his friends have to make the choice - whether to compromise with their consciences and their art, (as normally happens here in the Balkans), or whether to preserve Katerina's message.

8-year old Alek's parents are divorced and he lives with his mother. He can feel that after the divorce there has been a big void in her life. He decides to help her by finding a suitable husband. He first decides on an athlete, then a driver but none of them seem to be good enough for her. Then he runs into Chony, who immediately feels as the perfect fit for mum. Alek has to figure out how to make the two of them meet and at the same time divert mum's attention from uncle Mincho. All of his plans eventually fail but Alek comes to realize that he should not meddle with his mother's personal life and let her choose for herself.

XVII century, Bulgaria is under Ottoman rule. Four men break into the house of the shepherd Karaivan, raping and killing his wife in full view of their child, Maria. To protect his daughter and to enact revenge, he raises Maria as a son, teaching her to fight and kill. But as Maria grows up, she longs for a different life.

Plyontek, a boy with a weak constitution and traumatized psyche. Sent to a sanatorium where established rules among graduates, black pirate threats and combat establishes its rules. Plyontek gradually becomes ruler of a small kingdom of bitter and abused subjects. The circle is close to the emergence of the next willing to participant to fight evil.

Hitar Petar escapes every hard time the life gives him by using his quick mind.

Friends of different generations, practicing different professions, spend together their summer holidays at the seaside every year. It is sunny; they look carefree and happy. They know each other very well, they are used to each other. To such an extent, that bore becomes inevitable. It is boredom that incites them to play a dangerous game. The end is dramatic: a young boy gets killed. It is the moment to draw the bottom line. The question is: Isn't the death of the spirit worse than of the body?

Bay Ganyo is the national anti-hero. He personifies arrogance, insolence, greediness, and the absolute incapability to adopt any civilization principles of relationships. This protagonist was featured by great Bulgarian writer Aleko Konstantinov in the end of 19 c., both with an incredible sense of humor and anguish. Whether being in the Wiener Opera, or visiting a famous scientist at his home, or shopping, or just walking down the streets, this Bulgarian character, Bay Ganyo, is no more than a hopeless barbarian. The film makes new interpretation of this classical literature work. The comic adventures of Baj Ganjo are reconstructed in retro-nostalgic tonality. The final episode when the protagonist appears on the stage of the Wiener Opera among the singers participating in a Mozart's opera is the culmination of the transition of the farce into a tragic comedy.

The wife of a Bulgarian POW camp's warden falls in love with a Serbian prisoner at the end of World War I.